The Dumpling : $b A detective love story of a great labour risingKernahan, Coulson
General
The Dumpling : $b A detective love story of a great labour rising
Kernahan, Coulson
Detective and mystery stories; English fiction -- 20th century
She spoke as before, on one note, until she came to the last few words,
when her voice suddenly dropped an entire octave, and then sank in
rumbling silence, by falling, first one, and then another, note. This,
I found, was her invariable way of speaking. In effect, it reminded me
of a person walking with even step along a corridor, until he reaches
a flight of stairs, down eight of which he suddenly falls, at one
flight, recovering himself sufficiently, at the ninth, to rise and
stalk majestically down the last two or three.
If, in the course of my story, I do not again allude to this
peculiarity, it will not be because she ever lost the mannerism
in question, but because, the mannerism having already been fully
described, a repeated description of it in detail would, I fear, soon
become wearisome. It is so much easier, so much cheaper, if I may use
the word, to caricature a mannerism than to indicate character--to
describe a personal eccentricity than to indicate a type--that I am not
a little shamefaced at having written at such length regarding this
peculiarity of one of my characters. So marked a feature could not,
however, be passed over in silence, for I do not recall one solitary
occasion when she failed to drop her voice in the way I have described
when coming to the end of what she had to say.
Miss Carleton gone, her aunt, regarding me majestically, rang the bell.
When the man-servant appeared, she pointed at me.
"I wish to confer with my niece, Metcalfe. Meanwhile, that person must
not leave the house or this room. If he attempts to do so, call up the
other men-servants, and secure him."
With a warning glance at Metcalfe, and a glare at me, the good lady
left the room.
She was away about twenty minutes. On returning she dismissed the
servant, and seating herself, wheeled round in her chair, to turn all
her batteries upon my unhappy self. Her voice was, I fancied, a shade
less stately, a shade sharper, a shade brisker, and more business-like:
"What's your little game?"
CHAPTER XII.
JOHN CARLETON'S BURGLAR ALARM.
I stared at her blankly.
"Game?" I said. "Game? I haven't any game. You've heard my story. It's
the truth. I haven't anything else to tell or any game to play. What do
you take me for?"
"Rats!" she answered, shortly.
Then she strode over to a side table upon which lay a square box with a
button, like that of an electric bell.
Public-domain text, read in full here on John Shaqi.
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