The Dyer's Guide: Being a compendium of the art of dyeing linen, cotton, silk, wool, muslin, dresses, furniture, &c. &c.; with the method of scouring wool, bleaching cotton, &c., and directions for ungumming silk, and for whitening and sulphuring silk and wool; and also an introductory epitome of the leading facts in chemistry, as connected with the art of dyeingPacker, Thomas
Science
The Dyer's Guide: Being a compendium of the art of dyeing linen, cotton, silk, wool, muslin, dresses, furniture, &c. &c.; with the method of scouring wool, bleaching cotton, &c., and directions for ungumming silk, and for whitening and sulphuring silk and wool; and also an introductory epitome of the leading facts in chemistry, as connected with the art of dyeing
Packer, Thomas
Dyes and dyeing; Textile fabrics
Put as much archil as the goods may require, and according to the
deepness or lightness of the shades of the crimson required, into a
copper of water of a suitable size, and boil it, (the best canary archil
will bear boiling); damp the fire, let the archil settle, and then have a
fresh liquor for the goods to be put in, to receive a proportion of
archil according to the pattern desired to be matched. Begin with the
lightest and end with the deepest, reserving the remains of the archil
liquor, if it be not all spent, for common compound colours of such
shades as it will be advantageous to use it in. (_See the next article._)
_On dyeing wool_ SCARLET.
Scarlet owes its beauty to a solution of tin in muriatic acid. For this
purpose some use muriate of ammonia, commonly called sal-ammoniac, others
use common salt. It is of little consequence whether common salt or
sal-ammoniac be used: different preparations are employed by different
persons. The author has found the following to answer every expectation.
Melt an ounce of grain tin in an iron ladle, till an oxide is formed on
the surface; then pour it from a height or distance into cold water. Pour
the water from it, and it is fit for use, being then called _feathered
tin_. Put this tin into a glass vessel or stone jar, and add to it eight
ounces of nitric acid, eight ounces of water, half an ounce of
sal-ammoniac, and two drachms of nitrate of potash. This preparation is
better if made some time before it is used; it is a compound of nitrate
and muriate of tin.
Should any one prefer a pure _muriate of tin_, the method of making it
will be found in the last chapter, in _observations on crimson and
scarlet upon silk_.
Into a copper of cleared boiling water, the heat being reduced, and
having the worsted wetted out ready; for every pound of which (dry) put
two ounces of _cream of tartar_ or _white tartar_ in powder, and one
drachm and a half of _cochineal_ in powder. When the liquor is ready to
boil, add two ounces and a half of the first-mentioned solution of tin,
which immediately changes the colour; stir it well: as soon as the liquor
boils put in the worsted, and boil it till the colour of the cochineal is
taken up by it. The worsted must now be taken out, when it will be of a
flesh-colour, the water in the copper having lost its colouring matter.
To finish the worsted, another quantity of clean water is made warm, into
which six drachms and a half of cochineal are to be put; just before it
boils, two ounces of the same solution of tin are to be poured in, the
liquor undergoing a similar change as before. The worsted is again put
in, and boiled till it has imbibed the colour; it is then taken out,
wrung, and rinsed in clean water, when the scarlet is in perfection.
_One ounce_ of cochineal to a _pound_ of wool, will impart a colour
sufficiently deep, if managed according to the method above described, no
colour being left in the remaining liquor.
Public-domain text, read in full here on John Shaqi.
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