The Eagle's Nest: Ten Lectures on the Relation of Natural Science to Art, Given Before the University of Oxford, in Lent Term, 1872Ruskin, John
Philosophy
The Eagle's Nest: Ten Lectures on the Relation of Natural Science to Art, Given Before the University of Oxford, in Lent Term, 1872
Ruskin, John
Art and science
92. I have now, to my sorrow, learned to despise the elaborate
intricacy, and the playful realizations, of the Norman designers; and
can only be satisfied by the reserved and proud imagination of the
master schools. But the utmost pleasure I now take in these is almost as
nothing, compared to the joy I used to have, when I knew no better, in
the fretted pinnacles of Rouen, and white lace, rather than stonework,
of the chapels of Reu and Amboise.
Yet observe that the first condition of this really precious provincial
work is its being the best that can be done under the given
circumstances; and the second is, that though provincial, it is not in
the least frivolous or ephemeral, but as definitely civic, or public, in
design, and as permanent in the manner of it, as the work of the most
learned academies: while its execution brought out the energies of each
little state, not necessarily in rivalship, but severally in the
perfecting of styles which Nature had rendered it impossible for their
neighbours to imitate.
93. This civic unity, and the feeling of the workman that he is
performing his part in a great scene which is to endure for centuries,
while yet, within the walls of his city, it is to be a part of his own
peculiar life, and to be separate from all the world besides, developes,
together, whatever duty he acknowledges as a patriot, and whatever
complacency he feels as an artist.
We now build, in our villages, by the rules of the Academy of London;
and if there be a little original vivacity or genius in any provincial
workman, he is almost sure to spend it in making a ridiculous toy.
Nothing is to me much more pathetic than the way that our neglected
workmen thus throw their lives away. As I was walking the other day
through the Crystal Palace, I came upon a toy which had taken the
leisure of five years to make; you dropped a penny into the chink of it,
and immediately a little brass steam-engine in the middle started into
nervously hurried action; some bell-ringers pulled strings at the bottom
of a church steeple which had no top; two regiments of cavalry marched
out from the sides, and manœuvred in the middle; and two well-dressed
persons in a kind of opera-box expressed their satisfaction by approving
gestures.
In old Ghent, or Bruges, or York, such a man as the one who made this
toy, with companions similarly minded, would have been taught how to
employ himself, not to their less amusement, but to better purpose; and
in their five years of leisure hours they would have carved a flamboyant
crown for the belfry-tower, and would have put chimes into it that would
have told the time miles away, with a pleasant tune for the hour, and a
variation for the quarters, and cost the passers-by in all the city and
plain not so much as the dropping of a penny into a chink.
94. Do not doubt that I feel, as strongly as any of you can feel, the
utter impossibility at present of restoring provincial simplicity to our
country towns.
Public-domain text, read in full here on John Shaqi.
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