While I am speaking or writing, resting or eating, I participate in
the sea, which rises toward or recedes from me. And often at noon,
temporary citizen of this commercial coast, I gaze on what the tide
brings us: the tribute of the ocean gathered into this flowing channel
in one wide current of yellow water.
I observe the approach of all the people of the sea, the procession of
ships towed by the tide as if on the chain of a barge, the junks with
their four bulging sails as smooth and stiff as blades, in a puff of
wind. Those from Foutchéou carry an enormous fagot of beams lashed to
each side; then, among a scattering of tri-colored sampans, come the
giants of Europe, the American sailing ships full of gasoline; all the
“camels” of Madian, all the cargoes of Hamburg and London, all the
carriers of the Coast and the Islands.
The air is very clear. I enter into a light so pure that neither my
secret conscience, it seems, nor my body, offer resistance to it. It
is deliciously cool. With closed mouth, I breathe the sunlight, my
nostrils open to the exhilarating air. Meanwhile noon sounds from the
tower of the Customs; the ball of the semaphore drops, all the boats
mark off the hour, cannon thunder, the Angelus rings its part, the
whistles of the factories mingle with the long tumult of the siren.
All humanity gathers together to eat; the sampan man at the stern of
his skiff, lifting a wooden cover, surveys with a contented eye the
simmering of his stew. The wharf-hands, tied up in thick bundles of
rags, each yoke carried over the shoulder like a pike, surround the
open-air kitchen; those who are already served, all laughing, seated on
the edges of the wheelbarrows, with bowls of smoking rice between their
hands, test the heat with the ends of their greedy tongues.
The regulator of Life’s level rises; all the sluices of the earth are
filled; the rivers suspend their course; and the sea, mingling her salt
with their sands, joins them, to drink fully at their mouths. It is the
hour of plenitude. Now the tortuous canals which cross the city become
long serpents of close-packed barges advancing amid vociferations; and
the irresistible waters, in their expansion, float bridges of boats and
dead bodies from the mud, like corks.
THE PERIL OF THE SEA
As I cannot eat, I remount to the poop, a piece of bread in my pocket;
and, staggering, deafened, blown about, I join in the wild darkness and
the indescribable confusion of noise. In this void, opening my lips, I
carry a mouthful blindly to them. Soon, leaving the binnacle, little
by little I can make out the form of the ship, and beyond, just at the
limit of the contracted horizon, the sea in the clutches of the wind.
In that black circle, I see the pale charging cavalry of the foam.
Public-domain text, read in full here on John Shaqi.
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