The ecclesiastical architecture of Scotland from the earliest Christian times to the seventeenth century; vol. 1/3 — John Shaqi
The ecclesiastical architecture of Scotland from the earliest Christian times to the seventeenth century; vol. 1/3MacGibbon, David
History
The ecclesiastical architecture of Scotland from the earliest Christian times to the seventeenth century; vol. 1/3
MacGibbon, David
Church architecture -- Scotland
It has been pointed out how deep was the poverty of the country during
the fourteenth century, and with what difficulty the nobles, amongst
whom Bruce had distributed the forfeited lands, were able to raise even
a small pele tower for the defence of themselves and their
retainers.[58] The Church, patriotic as it was, suffered in the general
distress, and for a time funds were lacking for the completion of works
in progress, or the execution of new undertakings.
In these circumstances, it is vain to look in Scotland for much
architecture during the fourteenth century. This being the period during
which Gothic art reached its highest expression, both in England and
abroad, it is unfortunate for Scottish architecture that it should be so
imperfectly represented by edifices worthy of that time.
The country may be said not to have recovered from the impoverishment of
the war of independence till the fifteenth century was well advanced,
and when that period arrived, the desire for the erection of cathedrals
and establishment of monasteries had to a large extent ceased, and
endowments were, after that time, principally devoted to the erection of
smaller structures in the nature of Collegiate Institutions.
The connection with England having now been completely severed, and a
political alliance having been formed with France, it is natural to
find a departure in the architecture of Scotland from the close
resemblance to that of England which had hitherto characterised it, and
to detect the introduction of features from abroad. These elements play
an important part in the architecture of the end of the fifteenth
century and succeeding period, and produce a mixed style, not distinctly
the same either as that of the perpendicular in England, or of the
Flamboyant in France, but a style peculiar to Scotland, which includes
elements derived from both these styles, and also retains some features
of the earlier phases of Gothic architecture. This style has a distinct
character of its own, and is in Scotland parallel to the third period of
Gothic both in England and France.
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