The ecclesiastical architecture of Scotland from the earliest Christian times to the seventeenth century; vol. 1/3MacGibbon, David
History
The ecclesiastical architecture of Scotland from the earliest Christian times to the seventeenth century; vol. 1/3
MacGibbon, David
Church architecture -- Scotland
[Illustration: FIG. 26.--Winchester Cathedral. West End of the Nave.
(From Britton’s _Chronological History of English Architecture_.)]
presbytery, so as to distinguish it by its richness. This class of
vaulting carries out in its simplest elements the principle adopted at
this period in England of making the vaulting surface more important
than the ribs, and using the latter as ornaments upon the surface of the
vault.
The exterior of the churches is generally marked by rather heavy
buttresses, crowned with small and debased-looking pinnacles. The
buttresses have often a great many set-offs. In other examples
buttresses are entirely omitted. The doorways vary considerably. The
semi-circular arch, which is sometimes preserved in the earlier styles,
is now of very frequent use, not only in doorways, but also in pier
arcades and clerestories (as at Paisley and Dunkeld). Elliptic arches
and three-sided door heads are also used.
At this period we find indications of English influence in a few
perpendicular traceries, as at Melrose Abbey, and of French influence in
some Flamboyant forms, and in the three or five sided apse which
frequently forms the eastern termination of the churches. Western and
central towers are usual features, generally rather squat in form, and
sometimes surmounted with a short spire, having numerous small lucarnes
and pinnacles. Four of these towers were once finished with spires of
open work resembling a crown, but the number is now reduced to
two--viz., St. Giles’, Edinburgh, and King’s College, Old Aberdeen.
The piers are often of a plain circular form, and the arches have
frequently plain chamfers instead of mouldings. The caps of piers are
peculiar and heavy, the abacus consisting of a deep series of mouldings.
Grotesque ornaments and large flowers are common, and frequently of
rather coarse design; but in some instances, as in the cloisters of
Melrose, the ornaments are beautifully sculptured.
A revival of early enrichments, such as the dog-tooth or nail-head, is a
curious characteristic of this period, as it was also in the case of the
late domestic architecture. Other early features are also revived, such
as detached shafts, with well-marked caps and bases of early form. This
is specially observable at Iona and in Argyleshire and the Western
Islands, where, as already mentioned, a peculiar style prevailed.
In course of time, as pointed out elsewhere,[60] the ecclesiastical
elements were invaded by the features of domestic architecture, and a
mixed, but picturesque, style was developed which had more of a Scottish
than a Gothic aspect.
Many examples of Scottish structures of the third period will be
illustrated. The buildings, though comparatively small, are numerous and
interesting, as they illustrate a specially Scottish branch of Gothic
architecture. They consist largely of collegiate edifices, and amongst
them is the well-known collegiate church of Roslyn.
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