The ecclesiastical architecture of Scotland from the earliest Christian times to the seventeenth century; vol. 2/3MacGibbon, David
History
The ecclesiastical architecture of Scotland from the earliest Christian times to the seventeenth century; vol. 2/3
MacGibbon, David
Church architecture -- Scotland
also of fine bold first pointed form. Of this arcade, four and a-half
bays on the north side and four bays on the south side next the east end
have the arcade, without central shaft or tracery. The remainder of the
clerestory arches on both sides have the opening divided by a central
shaft carrying two pointed arches, and the arch head is filled with a
quatrefoil cut out of a circular shield like those above described. The
western bay (Fig. 518) is exceptional, having one arch with and one
without tracery on each side of the nave, the openings without tracery
being the east one on the south side and the west one on the north side.
It may also be pointed out that the four east bays have ashlar work in
the spandrils of the main arches, while the spandrils of the four west
bays are filled in with rubble work.
The main piers and arches are all of nearly the same design (Fig. 519).
They are set diagonally to the nave, and have four half shafts at the
cardinal angles and one intermediate shaft and two square projections
between on each side. In the south piers the square angle is cut off
these projections, otherwise the plan of the piers is the same. They
have all rounded first pointed caps, composed of mouldings over a bell,
and the bases are of usual first pointed forms (see Fig. 516).
[Illustration: FIG. 519.--Dunblane Cathedral. Half-Plan of Nave Piers.]
The west end (Fig. 520) is one of the finest parts of the cathedral. On
the ground floor it contains the western doorway (Fig. 521), deeply
recessed with a series of shafts and arch mouldings of line first
pointed design, flanked by an acutely pointed blind arch on each side
with trefoiled head within it. This ground story is surmounted by three
lofty pointed windows (see Fig. 520), all of equal height, and each
divided into two lights by a central mullion, and having the arch head
filled in the central window with a cinquefoil, and in the side windows
with a quatrefoil. The windows are all enclosed with a label moulding,
having carved terminals. The jambs and arches have plain triple splays
(Fig. 522), and the openings in the arch heads are cut out of plain
circular shields like the windows of the clerestory. A passage like that
of the clerestory runs round in the west wall, and has an inner arcade
of clustered shafts, with arch mouldings and tracery similar to those of
the clerestory. In the interior arcade the three arch heads are all
filled with cinquefoils cut through what is almost a plain shield (Fig.
523). The gable is filled with an elegant vesica piscis (Fig. 524), to
which Ruskin draws attention in his _Edinburgh Lectures_.
[Illustration: FIG. 520.--Dunblane Cathedral. West End.]
The edifice has not been intended to be vaulted. The buttresses of the
nave are light (see Fig. 517), and they are finished with plain
[Illustration: FIG. 521.--Dunblane Cathedral. West Doorway.]
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