He durst not pursue this; in his state of mind, the danger of
committing some flagrant absurdity was too great. The subject attracted
him like an evil temptation, for he desired to have Miriam speak of
Cecily. But he mastered himself.
"The artist's life may be the highest of which a particular man is
capable. For instance, I think it is so in my own case."
Miriam seemed about to keep silence again, but ultimately she spoke.
The voice suggested that upon her too there was a constraint of some
kind.
"On what grounds do you believe that?"
His eyes sought her face rapidly. Was she ironical at his expense? That
would be new light upon her mind, for hitherto she had seemed to him
painfully literal. Irony meant intellect; mere scorn or pride might
signify anything but that. And he was hoping to find reserves of power
in her, such as would rescue her from the imputation of commonplaceness
in her beliefs. Testing her with his eye, he answered meaningly:
"Not, I admit, on the ground of recognized success."
Miriam made a nervous movement, and her brows contracted. Without
looking at him, she said, in a voice which seemed rather to resent his
interpretation than to be earnest in deprecating it:
"You know, Mr. Mallard, that I meant nothing of the kind."
"Yet I could have understood you, if you had. Naturally you must wonder
a little at a man's passing his life as I do. You interpret life
absolutely; it is your belief that it can have only one meaning, the
same for all, involving certain duties of which there can be no
question, and admitting certain relaxations which have endured the
moral test. A man may not fritter away the years that are granted him;
and that is what I seem to you to be doing, at best."
"Why should you suppose that I take upon myself to judge you?"
"Forgive me; I think it is one result of your mental habits that you
judge all who differ from you."
This time she clearly was resolved to make no reply. They were passing
through Pozzuoli, and she appeared to forget the discussion in looking
about her. Mallard watched her, but she showed no consciousness of his
gaze.
"Even if the world recognized me as an artist of distinction," he
resumed, "you would still regard me as doubtfully employed. Art does
not seem to you an end of sufficient gravity. Probably you had rather
there were no such thing, if it were practicable."
"There is surely a great responsibility on any one who makes it the
_end_ of life."
This was milder again, and just when he had anticipated the opposite.
"A responsibility to himself, yes. Well, when I say that I believe this
course is the highest I can follow, I mean that I believe it employs
all my best natural powers as no other would. As for highest in the
absolute sense, that is a different matter. Possibly the life of a
hospital nurse, of a sister of mercy--something of that kind--comes
nearest to the ideal."
Public-domain text, read in full here on John Shaqi.
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