The English and Scottish popular ballads, volume 5 (of 5)
General
The English and Scottish popular ballads, volume 5 (of 5)
Ballads, English -- England -- Texts; Ballads, Scots -- Scotland -- Texts
Claudius, master of the hunt to the Prince of Calabria, on the eve
of his departure on a voyage, is heard by two courtiers, Leipolt and
Seübolt, soliloquizing on the excellences of his wife, Frigia, her
housekeeping, virtue, and love for him. They wager all their goods
against his that they will bring the woman to do their will. One
undertakes to present her wedding-ring, the other her necklace, in
proof of the achievement. Leipolt and Seübolt, always acting severally,
attempt to buy the services of Jahn Türck, a quick-witted and loyal
servant of Claudius. He tells everything to his mistress, and by his
advice she dresses two of her maids in her clothes and lets them meet
the men, warning them to keep within bounds. Leipolt and Seübolt,
each finding the supposed lady coy, are content to secure the means
of winning their wager, and, by Frigia’s connivance (who, it seems,
had come to knowledge of the wager through Jahn), one of them receives
her ring, the other her necklace, as pretended love-tokens. Claudius
comes home. Leipolt informs the prince of the wager, and asks Claudius
whether he knows the ring and will pay; Seübolt brings out the
necklace. Claudius gives all for lost. The prince sends for Frigia. She
challenges the courtiers to say that she has misbehaved with them. They
own that they have never laid eyes on her, but they recognize the maids
when they are brought in, still in their mistress’s clothes. Frigia
explains in detail. The prince addresses his councillors (for such they
are) in terms of exemplary severity, and adjudges them to marry the
maids, making over one third of their property to these and another to
Claudius, or to lose their heads. (Compare the Scottish ballad at the
end.) They prefer to keep their heads.[27]
A Danish ballad, very popular in the sixteenth and seventeenth
centuries, has the wager (only on the part of the assailant), but the
story takes a different turn from the foregoing, for the irresistible
knight has simply a conversation with the lady, in which he meets with
a definitive repulse.
Public-domain text, read in full here on John Shaqi.
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