The English Novel and the Principle of its DevelopmentLanier, Sidney
History
The English Novel and the Principle of its Development
Lanier, Sidney
English fiction -- History and criticism
A thing of beauty is a joy forever;
Its loveliness increases; it will never
Pass into nothingness, but still will keep
A bower quiet for us, and a sleep
Full of sweet dreams, and health, and quiet breathing;
Therefore on every morrow, are we wreathing
A flowery band to bind us to the earth,
Spite of despondence, of the inhuman dearth
Of noble natures, of the gloomy days,
Of all the unhealthy and o'erdarkened ways
Made for our searching: yes, in spite of all,
Some shape of beauty moves away the pall
From our dark spirits. Such the sun, the moon,
Trees old and young, sprouting a shady boon
For simple sheep; and such are daffodils
With the green world they live in; and clear rills
That for themselves a cooling covert make
'Gainst the hot season; the mid-forest brake,
Rich with a sprinkling of fair musk-rose blooms;
And such too is the grandeur of the dooms
We have imagined for the mighty dead;
All lovely tales that we have heard or read:
An endless fountain of immortal drink,
Pouring unto us from the heaven's brink.
IV.
The points discussed at our last meeting were mainly of such a nature
that I need not occupy your time with the detailed review which has
seemed advisable heretofore.
You will remember, in a general way, that we finished examining the
claims of the poetry of the future, as presented by Whitman, and found
reason to believe, from several trains of argument, that its alleged
democratic spirit was based on a political misconception; that its
religious spirit was no more than that general feeling of good
fellowship and _cameraderie_ which every man of the world knows to be
the commonest of virtues among certain classes; its strength rested
upon purely physical qualifications which have long ago practically
ceased to be strength; its contempt for dandyism was itself only a
cruder dandyism, and its proposed substitution of power for beauty not
only an artistic blindness but a historical error as to the general
progress of this world, which has been _from_ strength _to_ beauty
ever since the ponderous old gods Oceanus and Gæa--representatives of
rude strength--gave way to the more orderly (that is, more beautiful)
reign of Saturn, and he in turn to the still more orderly and
beauty-representing Jupiter, whom Chaucer has called the "fadyr of
delicacye."
Public-domain text, read in full here on John Shaqi.
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