The English Novel and the Principle of its DevelopmentLanier, Sidney
History
The English Novel and the Principle of its Development
Lanier, Sidney
English fiction -- History and criticism
In the first place, then, since we are mainly meditating upon the
growth of human personality, I beg you to observe the complete lack of
all provision for such growth, either among the gods or the men of
this presentation. Consider Hephæstus, for example, or Vulcan. Vulcan
may hammer away, immortal as he is, for a million æons upon the
thunderbolts of Jove; he may fashion and forge until he has exhausted
the whole science and art of offensive and defensive armament; but how
much better off is Vulcan for that? he can never step upon a higher
plane,--he is to all eternity simply Vulcan, armorer to Jove. And so
Hermes or Mercury may carry messages eternally, but no more; his
faculty and apparatus go to that end and no farther. But these
limitations are intolerable to the modern personality. The very
conception of personality seems to me to imply a conception of growth.
If I do one thing to-day, another to-morrow, I am twice as much
to-morrow as I was to-day, by virtue of the new thing; or, even if I
do only the same thing to-morrow that I did to-day, I do it
easier,--that is, with a less expenditure of force, which leaves me a
little surplus; and by as much as this surplus (which I can apply to
something else), I am more than I was yesterday. This "more"
represents the growth which I said was implied in the very conception
of personality, of the continuous individual.
Now the feeling of all this appears to be just as completely asleep in
Æschylus himself and in all his precedent old Greek theogonists as it
is in the most witless boor who gazes open-mouthed at the gigantic
Prometheus. But if we here descend from the gods, to the men, of this
picture, we find Prometheus almost in terms asserting this absence of
personality among the men whom he taught which we have just found by
implication among the gods who tortured him.
You will remember the lines I read from the first long speech of
Prometheus, in which he describes the utterly brutish, crawling
cave-dwellers to whom he communicated the first idea of every useful
art. The denial of all power in man himself, once he was created, of
originating these inventions--that is, of growing--that is, of
personality--is complete.
I find nothing so subtly and inconsolably mournful among all the
explicit miseries of the Greek mythology as this fixity of nature in
the god or the man, by which the being is suspended, as it were, at a
certain point of growth, there to hang forever. And in this view the
whole multitudinous people, divine and human, of the whole Greek
cyclics, seem to me as if sculptured in a half relief upon the black
marble wall of their fate--in half relief because but half gods and
half men, who in the lack of personality cannot grow, cannot move.
Public-domain text, read in full here on John Shaqi.
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