The English Novel and the Principle of its DevelopmentLanier, Sidney
History
The English Novel and the Principle of its Development
Lanier, Sidney
English fiction -- History and criticism
The rest of Act III. is filled with long descriptions of the change
which comes upon the world with the dethronement of Jove. Act IV. is
the most amazing piece of surplusage in literature; the catastrophe
has been reached long ago in the third act. Jove is in eternal duress,
Prometheus has been liberated and has gone with Asia and Panthea to
his eternal paradise above the earth, and a final radiant picture of
the reawakening of man and nature under the new régime has closed up
the whole with the effect of a transformation-scene. Yet, upon all
this, Shelley drags in Act IV. which is simply leaden in action and
color alongside of Act III. and in which the voices of unseen spirits,
the chorus of Hours, Jove, Panthea, Demogorgon, the Earth and the Moon
pelt each other with endless sweetish speeches that rain like
ineffectual comfits in a carnival of silliness. For example, a Voice
of Unseen Spirits cries:
"Bright clouds float in heaven,
Dew-stars gleam on earth,
Waves assemble on ocean:
They are gathered and driven
By the storm of delight, by the panic of glee!
They shake with emotion,
They dance in their mirth.
But where are ye?
The pine boughs are singing
Old songs with new gladness;
The billows and fountains
Fresh music are flinging
Like the notes of a spirit from land and from sea;
The storms mock the mountains
With the thunder of gladness.
But where are ye?"
The people thus inquired for, being the chorus of Hours, sleepily
reply:
"The voice of the spirits of air and of earth
Has drawn back the figured curtain of sleep
Which covered our being and darkened our birth
In the deep."
A VOICE.
In the deep?
SEMI-CHORUS.
Oh, below the deep.
....
SEMI-CHORUS I.
We have heard the lute of Hope in sleep;
We have known the voice of love in dreams,
We have felt the wand of power come and leap--
SEMI-CHORUS II.
"As the billows leap in the morning beams,"
CHORUS.
"Weave the dance on the floor of the breeze,
Pierce with song heaven's silent light,
Enchant the day that too swiftly flees,
To check its flight ere the cave of night.
Once the hungry Hours were hounds
Which chased the day like a bleeding deer,
And it limped and stumbled with many wounds
Through the nightly dells of the desert year.
But now oh! weave the mystic measure
Of music, and dance, and shapes of light;
Let the Hours and the spirits of night and pleasure
Like the clouds and sunbeams unite."
CHORUS OF SPIRITS.
"We join the throng
Of the dance and the song,
By the whirlwind of gladness borne along;
As the flying-fish leap
From the Indian deep
And mix with the sea-birds half asleep."
Public-domain text, read in full here on John Shaqi.
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