The English novel : $b From the earliest days to the death of Joseph ConradFord, Ford Madox
History
The English novel : $b From the earliest days to the death of Joseph Conrad
Ford, Ford Madox
English fiction -- History and criticism
But that is the justification for the novel of Aloofness, rendering
not the arbitrary felicities of a central character but the singular
normalities of an Affair. Normal humanity, deprived of the possibility
of viewing either lives or life, makes naturally for a pessimism that
demands relief either in the drugs of the happy endings of falsified
fictions or in the anodynes of superstition--one habit being as
fatal to the human intelligence as the other. But there is no need
to entertain the belief that life is sad any more than there is any
benefit to be derived from the contemplation of fictitious and banal
joys. The French peasant long ago evolved the rule that life is never
either as good or as bad as one expects it to be and so the French
peasant, like every proper man, faces life with composure--and reads
_Madame Bovary_, whilst the English, say, lawyer has never got beyond
_The Three Musketeers_.
The progress from the one to the other is simple and logical enough.
If you no longer allow yourself to take sides with your characters you
begin very soon to see that such a thing as a hero does not exist--a
discovery that even Thackeray could make. And, from there to seeing
that it is not individuals but enterprises or groups that succeed or
fail is a very small step to take. And then immediately there suggests
itself the other fact that it is not the mere death and still less
the mere marriage of an individual that brings to an end either a
group or an enterprise. It is perhaps going too far to say that _no_
man is indispensable, but it is far more usual to find that, when a
seemingly indispensable individual disappears for one reason or another
from an enterprise, that adventure proceeds with equanimity and very
little shock. I suppose the most co-operative and at the same time the
most one-man concern of to-day is the newspaper or the periodical
publication, and I suppose that in my time I must have been acquainted
with something at least of the affairs of at least a hundred journals
or periodicals each of them of necessity more or less autocratically
conducted, simply because a journal running along and having to
appear on a stated day, it is hardly ever practicable to get together
an editorial committee soon enough to make momentous decisions that
may have to be arrived at in a minute or two. Yet almost the first
discovery that the most strong-minded of editors makes after he has got
the periodical of his founding running for a month or two is that it
is the periodical that has taken charge--and the most notable fact of
journalism is that even when the most noted of editors suddenly dies
his paper in the immense majority of cases goes on running in perfect
tranquillity and with no apparent change for a period sufficiently long
to make it perfectly manifest that the great man was not in the least
indispensable.
Public-domain text, read in full here on John Shaqi.
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