The Entire March Family TrilogyHowells, William Dean
General
The Entire March Family Trilogy
Howells, William Dean
Fiction; Literature -- Collections
A narrow corridor gave into a wide festival space occupied by many
tables, each of which was surrounded by a group of clamorous Germans of
either sex and every age, with tall beakers of beaded lager before
them, and slim flasks of Rhenish; overhead flamed the gas in globes of
varicolored glass; the walls were painted like those of such haunts in
the fatherland; and the wedding-journeyers were fair to linger on
their way, to dwell upon that scene of honest enjoyment, to inhale the
mingling odors of beer and of pipes, and of the pungent cheeses in which
the children of the fatherland delight. Amidst the inspiriting clash of
plates and glasses, the rattle of knives and forks, and the hoarse rush
of gutturals, they could catch the words Franzosen, Kaiser, Konig, and
Schlacht, and they knew that festive company to be exulting in the first
German triumphs of the war, which were then the day's news; they saw
fists shaken at noses in fierce exchange of joy, arms tossed abroad in
wild congratulation, and health-pouring goblets of beer lifted in air.
Then they stepped into the moonlight again, and heard only the solemn
organ stops of the cataract. Through garden-ground they were led by the
little maid, their guide, to a small pavilion that stood on the edge
of the precipitous shore, and commanded a perfect view of the falls. As
they entered this pavilion, a youth and maiden, clearly lovers, passed
out, and they were left alone with that sublime presence. Something of
definiteness was to be desired in the spectacle, but there was ample
compensation in the mystery with which the broad effulgence and the
dense unluminous shadows of the moonshine invested it. The light touched
all the tops of the rapids, that seemed to writhe sway from the brink of
the cataract, and then desperately breaking and perishing to fall, the
white disembodied ghosts of rapids, down to the bottom of the vast and
deep ravine through which the river rushed away. Now the waters seemed
to mass themselves a hundred feet high in a wall of snowy compactness,
now to disperse into their multitudinous particles and hang like some
vaporous cloud from the cliff. Every moment renewed the vision of beauty
in some rare and fantastic shape; and its loveliness isolated it, in
spite of the great town on the other shore, the station with its bridge
and its trains, the mills that supplied their feeble little needs from
the cataract's strength.
At last Basil pointed out the table-rock in the middle of the fall, from
which Sam Patch had made his fatal leap; but Isabel refused to admit
that tragical figure to the honors of her emotions. “I don't care
for him!” she said fiercely. “Patch! What a name to be linked in our
thoughts with this superb cataract.”
Public-domain text, read in full here on John Shaqi.
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