Italy -- Fiction; Man-woman relationships -- Fiction; New York (N.Y.) -- Fiction; Violinists -- Fiction
The sheer, foolish bravado of it pierced Anne's heart. The impulse to
put her arms about the proud, suffering, little creature was almost
irresistible, but she repelled it scornfully. Why cheapen the child's
dignity by histrionics? This was obviously neither the time nor place
for explanations. Let those come later. The important thing at present
was to get to Alexis as quickly as possible, and with as little
friction. So she said nothing, but gazed steadily at the stream of
motors which glutted Park Avenue like an endless chain of monster
glowworms.
Without turning perceptibly, Claire cast a surreptitious glance in her
direction. In the constant glare from passing motors, Anne emerged,
doubly magnificent in regal furs, and jeweled band glowing within the
copper meshes of her hair, the proud face of a patrician, charmingly
insolent, utterly non-committal. Beside her, Claire felt smitten with
mediocrity as with a hopeless disease. And yet it was she herself who
was bringing this woman to Alexis. Why not? He desired her. Perhaps his
very life depended upon her presence. When existence narrowed down to a
primal factor such as death, one shed all fears except one. Her eyes
fixed upon Anne, she suddenly laughed aloud.
"I startled you, didn't I?" she said harshly, in response to Anne's look
of surprise, "but the mirthfulness of the occasion suddenly overcame me.
It--it is funny, isn't it? Just----" her voice faltered ever so
slightly, "just like the movies?"
Anne looked back at her gently. "I doubt if real life could ever be as
complicated as Hollywood imagines, don't you?" she replied impersonally.
Bitterly ashamed of her outburst, Claire was about to reply with the
same aloofness, when the motor turned into 21st Street and glided toward
Gramercy Square. It stopped before a tall, narrow house with an English
basement.
"Are we there?" asked Anne.
Her face fiery with chagrin, Claire nodded laconically.
They mounted in the elevator and were admitted into the studio by Mme.
Petrovskey.
"This is very good of you to take pity upon my poor boy," said a suave
voice.
Anne felt herself drawn swiftly into the room. An inscrutable China-doll
face gazed blankly into her own.
"Not at all," she replied quietly. "I am distressed to hear of your
son's illness and only hope I shall be of some use."
The small, blue eyes urbanely veiled, were fixed upon Anne's face.
"I'm afraid you're too modest," continued the bland voice. Dislike,
tinged with a hint of curiosity lurked beneath the perfect manner. "The
doctor seems to think you are necessary for my son's recovery, and we,
his wife and mother," the eyes ceased to bore through Anne momentarily
and swept ironically over Claire's shrinking figure, "are only too
grateful." She came a little nearer and laid a massive hand on Anne's
cloak. "Perhaps you'd better keep your wrap on. The sick-room is very
cold, and you're not exactly dressed for the occasion, are you, dear
lady?"
Public-domain text, read in full here on John Shaqi.
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