The Essays of Douglas JerroldJerrold, Douglas William
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The Essays of Douglas Jerrold
Jerrold, Douglas William
English essays -- 19th century
“An extraordinary young man, Sir—I have brought him out, Sir—a wonderful
young man, Sir,” observed Mr Tinfoil to a friend and neighbour, a dealer
in marine-stores. “Only wants working, Sir—requires nothing but being
kept at it, Sir.”
“Well, it must be a puzzling trade,” remarked the dealer.
“Puzzling, Sir! By heavens! Sir, my heart bleeds for men of letters,
Sir—they are great creatures, Sir—wonderful natures, Sir—we cannot think
too highly of them, Sir—cannot sufficiently reward them, Sir! Now, Sir,
it is perfectly unknown my liberality towards that young man! But then,
Sir—it is my delight, Sir, when I find real genius, Sir—when I meet with
a man of original mind, Sir—by heavens! Sir,” again cried Mr Tinfoil,
resorting to the exclamation as an outlet for his overcharged feelings.
The pig was duly measured—the piece prepared—and, having been produced
at enormous expense, was sealed with the unqualified approbation of a
discerning public.
The pig-drama had been represented about twenty nights, when the author
of the piece, in friendly converse with his patron manager, remarked
“that the porker had been a most profitable venture.”
“Why, Sir,” replied Mr Tinfoil, “tolerably well; but the fact is, I am
obliged to bolster him. He has had the advantage of three new
afterpieces, and therefore can’t complain that he has been let down.
Still, the pig has done very well, and perhaps may run a fortnight
more.” Saying this Tinfoil quaffed from a brimming glass of his chosen
fluid.
“At all events,” remarked the author, “the pig possesses one advantage
not to be found in any other of your actors.”
“And what, Sir,” asked Mr Tinfoil, “what may that be?”
“Why, after the pig has done his work, and the piece is put by, you may
eat the pig.”
The manager started from the inhuman man of letters with a look of
mingled horror, disgust and pity. When he had somewhat recovered from
his amazement he asked with evident loathing, “What did you say, Sir?”
“I said,” replied the insensible author, “that when the pig had played
out his part you might eat him.”
Mr Tinfoil, gently stirring his brandy-and-water, fixed an eye, like
that of death-darting cockatrice, upon the author, and after swallowing
the liquor, and thereby somewhat regaining his self-possession, he
addressed the thoughtless dramatist in words and tones that, as he has
since declared, can never cease to vibrate in his memory.
“Sir!” thus spoke Mr Tinfoil. “I regret—much regret, Sir, that anything
in my conduct could have induced you, Sir, to think so uncharitably of
my disposition, Sir.”
“I assure you, Sir——”
“Hear me out, Sir. What, Sir! think me capable of feeding upon an animal
that I have played with—a creature, whose sagacity has almost made it my
humble friend—a pig that has eaten from my hand—that knows my voice—that
I—I eat that pig—good heavens, Sir!”
“I’m sure I didn’t mean——”
Public-domain text, read in full here on John Shaqi.
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