The essentials of mysticism, and other essaysUnderhill, Evelyn
Religion
The essentials of mysticism, and other essays
Underhill, Evelyn
Mysticism
We seem to have here the highest example of a principle which is
operative through the whole of the seething complex of life, for there
is a sense on which every great personality fulfils the function of an
atoner. On the one hand he does something towards the making good of
humanity’s “falling short” in one direction or another; on the other
hand, he gives to his fellow-men—adds to their universe—something which
they did not possess before. Burke, speaking of the social contract, has
said that society is a partnership in all science, all art, every
virtue, and all perfection; and, since the ends of such a partnership
cannot be obtained but in many generations, it is a partnership between
the living, the dead, and the unborn. “Each contract of each particular
state,” he says, “is but a clause in the great primæval contract of
eternal society, _linking the lower with the higher natures_, connecting
the visible and the invisible world, according to a fixed compact
sanctioned by the inviolable oath which holds all physical and all moral
natures each in their appointed place.” In such a partnership—linking
higher and lower, visible and invisible worlds in one—the creative
spirits in every department of life may properly be called “atoners,”
for they have a corporate and racial value which is in exact proportion
to their individual achievement of reality. Thus the great artist, or
the great musician, really redeems his fellows from slavery to a lower
level of colour, form, sound. He atones for their dullness towards that
which has always been there, and endows them with new possibilities of
vision and hearing; gives them, in fact, more abundant life; is the
Door, the Way, to a wider universe. His creative acts open new gates to
the whole race. The fact that he has lived and worked has effected a
permanent change in the stream of life, which can never again be that
which it was before. If we were more accustomed, on the one hand, to
look at the achievements of religious genius from the artistic and
creative point of view, and on the other hand, to discern the work of
the Holy Spirit in the artistic as well as the religious field, I
believe that we should find a close parallel between the work of supreme
personality redeeming spirit, and the work of the great artist redeeming
sense, from servitude to old imperfections and disharmonies.
Public-domain text, read in full here on John Shaqi.
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