Authors, English -- 19th century -- Biography; Jefferies, Richard, 1848-1887
"The great painter Autumn has just touched with the tip of his
brush a branch of the beech-tree, here and there leaving an orange
spot, and the green acorns are tinged with a faint yellow. The
hedges, perfect mines of beauty, look almost red from a distance,
so innumerable are the peggles. Let not the modern Goths destroy
our hedges, so typical of an English landscape, so full of all that
can delight the eye and please the mind. Spare them if only for
the sake of the 'days when we went gipsying--a long time
ago'--spare them for the children to gather the flowers of May and
the blackberries of September. When the orange spot glows upon the
beech, then the nuts are ripe, and the hawthorn-bushes are hung
with festoons of the buff-coloured, heart-shaped leaves of a
once-green creeper. That 'deepe and enclosed country of Northe
Wiltes,' which old Clarendon, in his famous 'Civill Warre,' says
the troops of King Charles had so much difficulty to hurry through,
is pleasant to those who can linger by the wayside and the copse,
and do not fear to hear the ordnance make the 'woods ring again,'
though to this day a rusty old cannon-ball may sometimes be found
under the dead brown leaves of Aldbourne Chase where the skirmish
took place before 'Newbury Battle.' Perhaps it is because no such
deadly outbursts of human passions have swept along beneath its
trees that the 'Forest' is unsung by the poet, and unvisited by the
artist. Yet its very name is poetical, Savernake, _i.e._,
savernesacre--like the God's acre of Longfellow. Saverne--a
peculiar species of sweet fern; acre--land. So we may call it
Fern-land Forest, and with truth, for but one step beneath those
beeches away from the path plunges us to our shoulders in an ocean
of bracken. The yellow stalks, stout and strong as wood, make
walking through the brake difficult, and the route pursued devious,
till from the constant turning and twisting the way is lost. For
this is no narrow copse, but a veritable forest in which it is easy
to lose one's self; and the stranger who attempts to pass it away
from the beaten track must possess some of the Indian instinct
which sees signs and directions in the sun and wind, in the trees
and humble plants of the ground. And this is its great charm. The
heart has a yearning for the unknown, a longing to penetrate the
deep shadow and the winding glade, where, as it seems, no human
foot has been. High over head in the beech-tree the squirrel peeps
down from behind a bough--his long bushy tail curled up over his
back, and his bright eyes full of mischievous cunning. Listen, and
you will hear the tap, tap of the woodpecker, and see, away he
goes in undulating flight with a wild, unearthly chuckle, his green
and gold plumage glancing in the sun, like the parrots of
Public-domain text, read in full here on John Shaqi.
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