Authors, English -- 19th century -- Biography; Jefferies, Richard, 1848-1887
and earlier still the treacherous troop that seized the sleeping
magician in iron, Wayland the Smith, were clad in 'nailed armour,'
in both instances meaning ornamented with nails. Incidentally it
may be noted that until very recently at least one village church
in England had part of the skin of a Dane nailed to the door--a
stern reminder of the days when 'the Pagans' harried the land. This
narrow window, deep in the thick wall, has no painted magnificence
to boast of, but as you sit beside it in the square high-sided pew,
it possesses a human interest which even art cannot supply. The
tall grass growing rank on the graves without rustles as it waves
to and fro in the wind against the small diamond panes, yellow and
green with age--rustles with a melancholy sound, for we know that
this window was once far above the ground, but the earth has risen
till nearly on a level; risen from the accumulation of human
remains. Yet but a day or two before, on the Sunday morning, in
this pew, bright restless children smiled at each other, exchanged
guilty pushes, while the sunbeams from the arrow-slit above shone
upon their golden hair. Let us not think of this further. But dimly
through the window, 'as through a glass darkly,' see the green yew
with its red berries, and afar the elms and beeches, brown and
yellow. The steep down rises over them, and the moving gray patch
upon it is a flock of sheep. The white wall is cold and damp, and
the beams of the roof overhead, though the varnish is gone from
them, are dank with slow decay. In the recess lies the figure of a
knight in armour, rudely carved, beside his lady, still more rudely
rendered in her stiff robes, and of him an ill-spelt inscription
proudly records that he 'builded ye greate howse at'--no matter
where--but history records that cruel war wrapped it in flames
before half a generation was gone. So that the boast of his
building great houses reads as a bitter mockery. There stands
opposite a grander monument to a mighty earl, and over it hangs a
breastplate, and gauntlets of steel. The villagers will tell that
in yonder deep shady 'combe' or valley, in the thick hazel-bushes,
when the 'beetle with his drowsy hum' rises through the night air,
there comes the wicked old earl wearing this very breastplate,
these iron gloves, to expiate one evil deed of yore. And if we sit
in this pew long enough, till the mind is magnetized with the
spirit of the past, till the early evening sends its shadowy troops
to fill the distant corners of the silent church, then perhaps
there may come to us forms gliding noiselessly over the stone
pavement of the aisles--forms not repelling or ghastly, but filling
us with an eager curiosity. Then through the slit made for that
Public-domain text, read in full here on John Shaqi.
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