they make men seem like women, and this they call by the ridiculous name
_gowne_. Their hoods are little, and tied under the chins. Their
lirri-pipes (tippets) pass round the neck, and hanging down before,
reach to the heels."
Towards the end of the 14th century men began to wear short clothes made
to fit the body so closely that it often required the assistance of two
people to remove them, and it is from this period we can distinctly
trace the difference between ancient and modern dress; in fact, our
present fashions--masculine and feminine--resemble to a certain extent
those worn during mediæval times. Then, as now, men wore overcoats with
tight sleeves, felt hats also with feathers, worn over a skull cap, and
slung behind the back, and closely-fitting shoes and boots.
The Tudor monarchs paid considerable attention to the adornment of their
persons, and were responsible for stringent legal enactments calculated
to encourage home manufacturers. Felt hat-making--one of our oldest
industries--was introduced into this country from Spain and Holland. A
great impetus was given to this branch of trade by a law passed in 1571
which enjoined "every person above the age of seven years to wear on
Sundays or holidays a cap of wool, knit made, thickened, and dressed in
England by some of the trade of cappers, under the forfeiture of three
farthings for every day's neglect." In 1603 the felt makers became a
Corporation with grants and many privileges. Throughout the Middle Ages
the upper classes frequently engaged in commerce. Bishops, abbots, and
nobles personally superintended the disposal of the produce of their
estates, and a considerable number of the younger sons of good families
were the leading traders of the 15th and 16th centuries.
[Illustration: COSTUME OF THE REIGN OF HENRY VII.]
The "frocke" frequently mentioned, and of which the modern frock coat is
the degenerate descendant, was a sort of jacket or jerkin made
occasionally with skirts, a style associated especially, with Holbein's
portraits of Henry VIII. and his contemporaries.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account