[Illustration: WALKING DRESS, 1830.]
Everyone tried to rival his neighbour in the size of his peruke, till
they became so preposterous that Charles II. showed his disfavour by
writing a letter to the University of Cambridge forbidding the members
to wear periwigs, smoke tobacco, or read their sermons. History does not
relate what effect the King's censure had upon the head-gear of students
attending the colleges, but it is absolutely proved that they paid no
heed to his latter commands. It was the fashion for men to comb their
perukes in public, and curiously-chased combs of bone and
tortoise-shell, were carried in the pocket with the snuff-box, another
indispensable appendage of a fine gentleman.
In the 18th century the broad hat brims were turned up at the sides,
and, in the racy vernacular of the day, "each gallant cocked his hat
according to his fancy." Shoe buckles became general in the reign of
Queen Anne, and displaced the ribbon rosettes formerly worn. Planché
accurately describes the fashions of that day. "The square-cut coat was
stiffened with wires and buckram, and the long-flapped waistcoat with
pockets almost met the stockings. There were hanging cuffs with lace
ruffles, square-toed shoes with red heels, and hats laced with gold or
silver galloon."
At the beginning of the 19th century many important changes took place.
Excepting for Court dress, cloth was substituted for velvet and other
rich fabrics. The coat was open, displaying an elaborate shirt-front,
stock and flowered waistcoat; and the skirt, though full, fell in
natural folds. Trousers were very tight, and held in place by a strap
beneath the foot, and hats displayed narrow curved brims.
We have only to cast our eyes down the vista of ages to find that
British costume has been suited to the needs, habits, and customs of the
people, and periods at which it was worn. Skins of animals were
appropriate to the hardy cave dwellers who inhabited this country at an
early period in the world's history. The simple dress of the
Anglo-Saxons fulfilled the requirements of a primitive race; and the
furs and rich fabrics brought home by the Crusaders were adapted to the
higher state of civilization which prevailed in the Middle Ages. In the
16th century the Renaissance (of art and culture) was specially noted
for richness of attire. During the 18th century a mixture of styles
which had found favour with previous generations was the most marked
feature in the costume of that period, and this equally applies to the
two first decades of the present one. Masculine attire at the present
day, though simple and practical, has few points of beauty to recommend
it. Briefly, it resolves itself into a series of woollen cylinders which
changeth not from generation to generation.
CHAPTER VIII.
A CHAT ABOUT CHILDREN AND THEIR CLOTHING.
"The childhood shows the man,
As morning shows the day."--_Milton._
Public-domain text, read in full here on John Shaqi.
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