The Evolution of StatesRobertson, J. M. (John Mackinnon)
History
The Evolution of States
Robertson, J. M. (John Mackinnon)
Europe -- Politics and government; Great Britain -- Politics and government; Political science -- History
For various views on this matter cp. Heeren, Eng. tr. of Researches
on the _Political History of Ancient Greece_, pp. 129-34;
Thirlwall, _History of Greece_, ch. xviii (1st ed. iii, 62-70);
Grote, iv, 490-504; Abbott, _History of Greece_, i, 405-9; Holm,
_History of Greece_, Eng. tr. ii, 268, note 8 to ch. xvii (a
vindication). Grote, who vindicates the policy of Pericles with
much care, endorses the statesman's own plea that his use of the
confederate treasure in ennobling the city gave her a valuable
prestige. But even to the Athenian opposition this answer was
indecisive, for, as Grote records, the argument of Thucydides was
that Athens was "disgraced in the eyes of the Greeks" by her use of
the treasure. This meant that her prestige was fully balanced by
hatred, so that the civic gain was a new danger.
Not that matters would have gone a whit better if, as our Tory
historians used retrospectively to prescribe, democracy had been
permanently subverted by aristocracy. No other ideal then in vogue would
have produced even so much "good life" as was actually attained. We know
that the rich and the great in the Greek cities were the worst citizens,
in the sense of being the least law-abiding; and that the lower-class
Athenians who served in the fleet were the best disciplined; the
middle-class hoplites less so; and the rich men who formed the cavalry
the least orderly of all.[130] Above all, the aristocrats were cruel and
rapacious when in power as the demos never were, even when they had
overthrown the guiltiest of their tyrants.[131] The leading aristocrats
were simply weaker versions of the demagogues, making up for their
weakness by their cruelty; and nothing can be more misleading than to
take the account given of Kleon by Aristophanes for even a semblance of
the truth. The great humorist saw nothing as it really was: his very
genius was as it were a many-faceted mirror that could reflect no whole,
and left his practical judgment worth less than that of any of the men
he ridiculed. Kleon is to be conceived as a powerful figure of the type
of a New York Tammany "Boss," without culture or philosophy, but shrewd,
executive, and abounding in energy. The aristocrats were but slighter
egoists with a varnish of education, as far as he from a worthy
philosophy. And the philosophers _par excellence_, Plato and Aristotle,
were equally incapable of practical statesmanship. The central truth of
the entire process is that free Greece fell because her children never
transcended, in conception or in practice, that primary ethic of egoism
in which even love for one's country is only a reflex of hate for
another people. This is clear in the whole play of the astounding
hatreds of Athenians for Athenians through every struggle of Athens for
her life. The treasons of Alcibiades are evoked and amply balanced by
the murderous plots of his fellows against him: every figure in the line
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