The Executioner's Knife; Or, Joan of ArcSue, Eugène
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The Executioner's Knife; Or, Joan of Arc
Sue, Eugène
Biographical fiction; Christian fiction; Christian women saints -- Fiction; Joan, of Arc, Saint, 1412-1431 -- Fiction
"Vanity! Vanity! I never have envied any glory other than that of the
great King Solomon, of that valorous hero of six hundred concubines and
more than four hundred legitimate wives! But unable to reach the heights
of that amorous potentate, I content myself with aspiring after the
destiny of King John, my great-grandfather."
"Shame upon you, Charles! Such sentiments are disgraceful, and will
prevent a single captain from taking the field for you."
"Oh, those valiant captains who combat my enemies have no thought to my
interests. They fight at the head of companies of mercenaries in order
to pillage the populace and to recover their own seigniories that have
fallen into the hands of the English."
The belle Aloyse was about to answer Charles VII when George of La
Tremouille entered the royal apartment after repeatedly knocking at the
door. The minister said:
"Sire, everything is ready for the reception of Joan. We await your
orders."
"Let us go and receive the Maid! I greatly approve your idea of putting
the inspired girl to the test, and finding out if she can pick me out
among the courtiers, while Trans will play the role of King. The comedy
is to start."
CHAPTER III.
THE TEST.
Animated by conflicting sentiments, the men and women of the court of
Charles VII, gathered in a gallery of the Castle of Chinon, awaited the
arrival of Joan the Maid. Some, and they were few, believed the girl
inspired; most of the others regarded her either as a poor visionary, a
docile instrument that might be turned to account by the heads of the
State, or an adventuress whom her own audacity, coupled to the credulity
of fools, was pushing forward. All, however, whatever their opinion
concerning the mission that the peasant girl of Domremy claimed for
herself, saw in her a daughter of the rustic plebs, and asked themselves
how the Lord could have chosen his elect from such a low condition.
Splendidly dressed, the Sire of Trans sat on what looked like a
throne--an elevated seat placed under a canopy at one end of the
gallery. He was to simulate the King, while Charles VII himself, mixing
in the crowd of his favorite courtiers, was laughing in his sleeve,
satisfied with the idea of the test that Joan's sagacity was to be put
to. Joan presently entered, conducted by a chamberlain. She held her cap
in her hand and was in man's attire--a short jacket, slashed hose and
spurred boots. Intimidated at first by the sight of the courtiers, Joan
quickly regained her self-possession; holding her head high and
preserving a modest yet confident bearing, she stepped forward in the
gallery. Vaguely suspecting the ill-will of many of the seigneurs of the
King's household, the girl scented a snare, and said to the chamberlain
who escorted her:
"Do not deceive me, sir; take me to the Dauphin of France."[49]
Public-domain text, read in full here on John Shaqi.
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