The Expositor's Bible: The Book of EzekielSkinner, John
Religion
The Expositor's Bible: The Book of Ezekiel
Skinner, John
Bible. Ezekiel -- Commentaries
Ch. vii. is one of those singled out by Ewald as preserving most
faithfully the spirit and language of Ezekiel’s earlier utterances. Both
in thought and expression it exhibits a freedom and animation seldom
attained in Ezekiel’s writings, and it is evident that it must have been
composed under keen emotion. It is comparatively free from those
stereotyped phrases which are elsewhere so common, and the style falls at
times into the rhythm which is characteristic of Hebrew poetry. Ezekiel
hardly perhaps attains to perfect mastery of poetic form, and even here we
may be sensible of a lack of power to blend a series of impressions and
images into an artistic unity. The vehemence of his feeling hurries him
from one conception to another, without giving full expression to any, or
indicating clearly the connection that leads from one to the other. This
circumstance, and the corrupt condition of the text together, make the
chapter in some parts unintelligible, and as a whole one of the most
difficult in the book. In its present position it forms a fitting
conclusion to the opening section of the book. All the elements of the
judgment which have just been foretold are gathered up in one outburst of
emotion, producing a song of triumph in which the prophet seems to stand
in the uproar of the final catastrophe and exult amid the crash and wreck
of the old order which is passing away.
The passage is divided into five stanzas, which may originally have been
approximately equal in length, although the first is now nearly twice as
long as any of the others.(22)
i. Vv. 2‐9.—The first verse strikes the keynote of the whole poem; it is
the inevitableness and the finality of the approaching dissolution. A
striking phrase of Amos(23) is first taken up and expanded in accordance
with the anticipations with which the previous chapters have now
familiarised us: “An end is come, the end is come on the four skirts of
the land.” The poet already hears the tumult and confusion of the battle;
the vintage songs of the Judæan peasant are silenced, and with the din and
fury of war the day of the Lord draws near.
Public-domain text, read in full here on John Shaqi.
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