The Expositor's Bible: The Book of RevelationMilligan, William
Philosophy
The Expositor's Bible: The Book of Revelation
Milligan, William
Bible. Revelation -- Commentaries
When we turn to the "living creatures," there can be no doubt whatever
that we are in the midst of Temple imagery. These are the cherubim, two
of which, fashioned in gold, were placed above the mercy-seat in the
holy of holies, so that, inasmuch as that mercy-seat was regarded as
peculiarly the throne of God, Israel was invited to think of its King as
"sitting between the cherubim."[93] These figures, however, were not
confined to that particular spot, nor were they fashioned only in that
particular way, for the curtain and the veil which formed the sides of
the Most Holy Place were wrought with cherubim of cunning work,[94] so
that one entering that sacred spot was surrounded by them. In the midst
of the cherubim spoken of in these verses we are thus in the midst of
Temple figures and of priestly thoughts. It is impossible here to trace
the history of the cherubim throughout the Bible; and we must be content
with referring to two points connected with them, of importance for the
interpretation of this book: the representative nature of the figures
and the aspect under which we are to see them.[95]
As to the first of these, the human element in the cherubim is at once
intelligible. It can be nothing but man; while the fact that they occupy
so large a position in the most sacred division of the Tabernacle is
sufficient to prove that man, so represented, is thought of as redeemed
and brought to the highest stage of spiritual perfection. The other
elements referred to certainly do not indicate either new qualities
added to humanity, or an intensification of those already possessed by
it, as if we might cherish the prospect of a time when the physical
qualities of man shall equal in their strength those of the animals
around him, when he shall possess the might of the lion, the power of
the ox, and the swiftness of the eagle. They represent rather the
different departments of nature as these are distributed into the
animate and inanimate creation. Taking the "living creatures" together
in all their parts, they are thus an emblem of man, associated on the
one hand with the material creation, on the other with the various
tribes of animals by which it is inhabited, but all redeemed,
transfigured, perfected, delivered from the bondage of corruption, and
brought into "the liberty of the glory of the children of God."[96] They
have a still wider and more comprehensive meaning than the "twenty-four
elders," the latter setting before us only the Church, but the former
all creation, glorified.
Public-domain text, read in full here on John Shaqi.
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