The Expositor's Bible: The Psalms, Vol. 1: Psalms I.-XXXVIII.Maclaren, Alexander
Religion
The Expositor's Bible: The Psalms, Vol. 1: Psalms I.-XXXVIII.
Maclaren, Alexander
Bible. Psalms -- Commentaries
Vv. 5-8 draw out the consequences of God's loving regard, which has
made the insignificance of man the medium of a nobler manifestation of
the Divine name than streams from all the stars. There is no allusion
here to sin; and its absence has led to the assertion that this
psalmist knew nothing of a fall, and was not in harmony with the
prevalent Old Testament tone as to the condition of humanity. But
surely the contemplation of the ideal manhood, as it came from God's
hand, does not need to be darkened by the shadows of the actual. The
picture of man as God made him is the only theme which concerns the
psalmist; and he paints it with colours drawn from the Genesis
account, which tells of the fall as well as the creation of man.
The picture contains three elements: man is Deiform, crowned with glory
and honour, and lord of the creatures on earth. The rendering "than the
angels" in the A.V. comes from the LXX., but though defensible, is less
probable than the more lofty conception contained in "than God," which
is vindicated, not only by lexical considerations, but as embodying an
allusion to the original creation "in the image of God." What then is
the "little" which marks man's inferiority? It is mainly that the
spirit, which is God's image, is confined in and limited by flesh, and
subject to death. The distance from the apex of creation to the Creator
must ever be infinite; but man is so far above the non-sentient, though
mighty, stars and the creatures which share earth with him, by reason of
his being made in the Divine image--_i.e._, having consciousness, will,
and reason--that the distance is foreshortened. The gulf between man and
matter is greater than that between man and God. The moral separation
caused by sin is not in the psalmist's mind. Thus man is invested with
some reflection of God's glory, and wears this as a crown. He is king on
earth.
The enumeration of his subjects follows, in language reminding again
of the Genesis narrative. The catalogue begins with those nearest to
him, the long-tamed domestic animals, and of these the most submissive
(sheep) first; it then passes to the untamed animals, whose home is
"the field" or uncultivated land, and from them goes to the heights
and depths, where the free fowls of the air and fish of the sea and
all the mysterious monsters that may roam the hidden ways of that
unknown ocean dwell. The power of taming and disciplining some, the
right to use all, belong to man, but his subjects have their rights
and their king his limits of power and his duties.
Public-domain text, read in full here on John Shaqi.
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