The Expositor's Bible: The Psalms, Vol. 2: Psalms XXXIX.-LXXXIX.Maclaren, Alexander
Religion
The Expositor's Bible: The Psalms, Vol. 2: Psalms XXXIX.-LXXXIX.
Maclaren, Alexander
Bible. Psalms -- Commentaries
A picture of the reflected honour and influence of the bride follows
in ver. 12. When she stands by the king's side, those around recognise
her dignity, and seek to secure her favour. Hupfeld, Hitzig, and
others take "daughter of Tyre" to be a vocative, addressed to the
bride, who is, according to their view, a Tyrian princess. But
there is a strong grammatical objection to that construction in the
copula ("and") prefixed to "daughter," which is never so prefixed
to a vocative unless preceded by another vocative. Delitzsch,
Baethgen, Perowne, and Cheyne agree in recognising the force of
that consideration, and the three former regard the phrase not as a
vocative, but as a nominative. It is a personification of the Tyrians
according to a familiar idiom. The clause is elliptical, and has to
be supplemented by supposing that the same verb, which appears in the
next clause in the plural, is to be supplied in thought, just as that
clause requires the supplement of "with a gift" from this one. There
appears to be some flaw in the text, as the clauses are unsymmetrical,
and possibly the punctuators have marked a hiatus by the sign (Pasek)
after the word "daughter of Tyre." To "seek thy favour" is literally
to "smooth thy face"--a graphic representation. In the highest region,
which we regard the psalm as adumbrating, the words have fulfilment.
The bride standing by her bridegroom, and showing her love and
devotion by self-abandonment and reverence, will be glorious in the
eyes of those around. They who manifestly live in loving communion
with their Lord will be recognised for what they are, and, though
sometimes hated therefor, will also be honoured. When the Church has
cast all but Christ out of its heart, it will conquer the world. "The
sons of them that afflicted thee shall come bending unto thee."
Public-domain text, read in full here on John Shaqi.
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