The Expositor's Bible: The Psalms, Vol. 2: Psalms XXXIX.-LXXXIX.Maclaren, Alexander
Religion
The Expositor's Bible: The Psalms, Vol. 2: Psalms XXXIX.-LXXXIX.
Maclaren, Alexander
Bible. Psalms -- Commentaries
There are two events, one or other of which probably supplies the
historical basis of this and the two following psalms. One is
Jehoshaphat's deliverance from the combined forces of the bordering
nations (2 Chron. xx.). Delitzsch adopts this as the occasion of
the psalm. But the other more usually accepted reference to the
destruction of Sennacherib's army is more probable. Psalms xlvi. and
xlviii. have remarkable parallelisms with Isaiah. The noble contrast
of the quiet river which makes glad the city of God with a tossing,
earth-shaking sea resembles the prophet's threatening that the
effect of refusing the "waters of Shiloah which go softly" would be
inundation by the strong and mighty river, the Assyrian power. And the
emblem is expanded in the striking language of Isa. xxxiii. 21: "The
glorious Lord will be unto us a place of broad rivers and streams;
wherein shall go no galley with oars." Encircled by the flashing
links of that broad moat, Jerusalem sits secure. Again, the central
thought of the refrain in the psalm, "The Lord of hosts is with us,"
is closely allied to the symbolic name which Isaiah gave as a pledge
of deliverance, "Immanuel, God with us."
The structure is simple. The three strophes into which the psalm
falls set forth substantially the same thought, that God's presence
is safety and peace, whatever storms may roar. This general theme
is exhibited in the first strophe (vv. 1-3) in reference to natural
convulsions; in the second (vv. 4-7) in reference to the rage of
hostile kingdoms; and in the third (vv. 8-11) men are summoned to
behold a recent example of God's delivering might, which establishes
the truth of the preceding utterances and has occasioned the psalm.
The grand refrain which closes the second and third strophes should
probably be restored at the end of ver. 3.
In the first strophe the psalmist paints chaos come again, by the
familiar figures of a changed earth, tottering mountains sinking in
the raging sea from which they rose at creation, and a wild ocean
with thunderous dash appalling the ear and yeasty foam terrifying
the eye, sweeping in triumphant insolence over all the fair earth.
It is prosaic to insist on an allegorical meaning for the picture.
It is rather a vivid sketch of utter confusion, dashed in with three
or four bold strokes, an impossible case supposed in order to bring
out the unshaken calm of those who have God for ark in such a deluge.
He is not only a sure refuge and stronghold, but one easy of access
when troubles come. There is little good in a fortress, however
impregnable, if it is so difficult to reach that a fugitive might be
slain a hundred times before he was safe in it. But this high tower,
which no foe can scale, can be climbed at a thought, and a wish lifts
us within its mighty walls. The psalmist speaks a deep truth, verified
in the spiritual life of all ages, when he celebrates the refuge of
the devout soul as "most readily to be found."
Public-domain text, read in full here on John Shaqi.
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