The Expositor's Bible: The Psalms, Vol. 2: Psalms XXXIX.-LXXXIX.Maclaren, Alexander
Religion
The Expositor's Bible: The Psalms, Vol. 2: Psalms XXXIX.-LXXXIX.
Maclaren, Alexander
Bible. Psalms -- Commentaries
The second strophe is distinguished from the first by the increased
fervour of its calls to praise, by its still more exultant rush, and
by its omission of reference to Jacob. It is wholly concerned with the
peoples whom it invites to take up the song. As in the former strophe
the singer showed to the peoples God working in the world, here he bids
them look up and see Him ascending on high. "Now that He ascended,
what is it but that He also descended first?" The mighty deliverance
of which the triumph throbs through this trilogy of pæans of victory
was God's coming down. Now He has gone back to His throne and seated
Himself thereon, not as having ceased to work in the world--for He is
still King over it all--but as having completed a delivering work.
He does not withdraw when He goes up. He does not cease to work here
below when He sits throned in His palace-temple above. The "shout" and
"voice of a trumpet," which accompany that ascent, are borrowed from the
ordinary attendants on a triumphal procession. He soars as in a chariot
of praises,--from whose lips the psalm does not say, but probably it
intends Israel to be understood as the singer. To that choir the nations
are called to join their voices and harps, since God is their King too,
and not Jacob's only. The word rendered in the A.V. and R.V. (text)
"with understanding" is a noun, the name of a description of psalm,
which occurs in several psalm titles, and is best understood as "a
skilful song." Ver. 8 gathers up the reasons for the peoples' homage to
God. He has "become King" over them by His recent act, having manifested
and established His dominion; and He has now "sat down on His throne,"
as having accomplished His purpose, and as thence administering the
world's affairs.
A final verse, of double the length of the others, stands somewhat
apart from the preceding strophe both in rhythm and in thought. It
crowns the whole. The invitations to the nations are conceived of as
having been welcomed and obeyed. And there rises before the poet's
eye a fair picture of a great convocation, such as might wait before
a world-ruling monarch's throne on the day of his coronation. The
princes of the nations, like tributary kings, come flocking to do
homage, "as if they surely knew their sovereign Lord was by."
Public-domain text, read in full here on John Shaqi.
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