"Bless my heart, are you done?" cried Mr Blewitt, breaking off in the
middle of a solo, which he found himself performing to his own
astonishment.
Mr Harrower and Mr Fogle threw up their eyes with an intensity of
contempt that defies description. To be sure, neither of them had
kept either time or tune all the way through. Mr Harrower's
violoncello had growled and groaned, at intervals, in a manner truly
pitiable; and Mr Fogle's bow had done nothing but dance and leap, in
a perpetual staccato from the first bar to the last, to the entire
confusion of both melody and concord. But they had both managed to
be in at the death, and were therefore entitled to sneer at the
unhappy flutist. Mr Eugene Lilylipz, who had annoyed Miss Fanny
throughout the performance, by invariably turning over the leaf at
the wrong place, now broke into a volley of raptures, of which the
words "Devaine" and "Chawming," were among the principal symbols. A
buzz of approbation ran round the room, warm in proportion to the
relief which the cessation of the Dutch concert afforded. Mr
Harrower and his coadjutors grew communicative, and vented an
infinite quantity of the jargon of dilettanteism upon each other, and
upon those about them. They soon got into a discussion upon the
merits of different composers, whose names served them to bandy to
and fro in the battledore and shuttlecock of conversation. Beethoven
was cried up to the seventh heaven by Mr Harrower for his grandeur
and sublimity, and all that sort of thing.
"There is a Miltonic greatness about the man!" he exclaimed, throwing
his eyes to the ceiling, in the contemplation of a visionary demigod.
"A vastness, a massiveness, an incomprehensible--eh, eh?--ah, I can't
exactly tell what, that places him far above all other writers."
"Every man to his taste," insinuated Mr Blewitt; "but I certainly
like what I can understand best. Now I don't understand Beethoven;
but I _can_ understand Mozart, or Weber, or Haydn."
"It is very well if you do!" retorted the violoncellist, reflecting
probably on the recent specimen Mr Blewitt had given of his powers.
"It is more than everybody does, I can tell you."
"Od, gentlemen, but it's grand music onyhow, and exceeding justice
you have done it, if I may speak my mind. But ye ken I'm no great
shakes of a judge."
Public-domain text, read in full here on John Shaqi.
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