I stay my haste, I make delays,
For what avails this eager pace?
I stand amid the eternal ways,
And what is mine shall know my face.
Mr. Burroughs came naturally by such a view of nature and its
consequent optimism. It is due partly to his having been born and
brought up on a farm where he had what was due him from the start.
Such birth and bringing-up is the natural right of every boy. To know
and to do the primitive, the elemental; to go barefoot, to drive the
cows, to fish, and to go to school with not too many books but with
“plenty of real things”--these are nominated in every boy’s bond.
Serene, I fold my hands and wait,
is the poem of a childhood on the farm, and the poem of a manhood on
the farm, in spite of the critic who says:--
“We have never ceased to wonder that this friend of the birds, this
kindly interpreter of nature in all her moods, was born and brought up
on a farm; it was in that smiling country watered by the east branch
of the Delaware. No man, as a rule, knows less about the colors,
songs, and habits of birds, and is more indifferent to natural scenery
than the man born to the soil, who delves in it and breathes its
odors. Contact with it and laborious days seem to deaden his faculties
of observation and deprive him of all sympathy with nature.” During
the days when the deadening might have occurred, Mr. Burroughs was
teaching school. Then he became a United States bank examiner, and
only after that returned to the country where he still lives. He is
now in his seventies, and coming full of years, and fuller and fuller
of books, as his vines are full of years, and fuller and fuller of
grapes.
Could it be otherwise? If men and grapes are of the same divine dust,
should they not grow according to the same divine laws? Here in the
vineyard along the Hudson, Mr. Burroughs planted himself in planting
his vines, and every trellis that he set has become his own support
and stay. The very clearing of the land for his vineyard was a
preparation of himself physically and morally for a more fruitful
life.
“Before the snow was off in March,” he says in “Literary Values,” “we
set to work under-draining the moist and springy places. My health and
spirits improved daily. I seemed to be under-draining my own life and
carrying off the stagnant water, as well as that of the land.” And so
he was. There are other means of doing it--taking drugs, playing golf,
walking the streets; but surely the advantages and the poetry are all
in favor of the vineyard. And how much fitter a place the vineyard to
mellow and ripen life, than a city roof of tarry pebbles and tin!
Public-domain text, read in full here on John Shaqi.
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