It was into the midst of all this happiness, ripening after careful culture, that Florent dropped one September morning just as Lisa was taking her matutinal bath of sunshine, and Quenu, with his eyes still heavy with sleep, was lazily applying his fingers to the congealed fat left in the pans from the previous evening. Florent’s arrival caused a great commotion. Gavard advised them to conceal the “outlaw,” as he somewhat pompously called Florent. Lisa, who looked pale, and more serious than was her wont, at last took him to the fifth floor, where she gave him the room belonging to the girl who assisted her in the shop. Quenu had cut some slices of bread and ham, but Florent was scarcely able to eat. He was overcome by dizziness and nausea, and went to bed, where he remained for five days in a state of delirium, the outcome of an attack of brain-fever, which fortunately received energetic treatment. When he recovered consciousness he perceived Lisa sitting by his bedside, silently stirring some cooling drink in a cup. As he tried to thank her, she told him that he must keep perfectly quiet, and that they could talk together later on. At the end of another three days Florent was on his feet again. Then one morning Quenu went up to tell him that Lisa awaited them in her room on the first floor. Quenu and his wife there occupied a suite of three rooms and a dressing-room. You first passed through an antechamber, containing nothing but chairs, and then a small sitting-room, whose furniture, shrouded in white covers, slumbered in the gloom cast by the Venetian shutters, which were always kept closed so as to prevent the light blue of the upholstery from fading. Then came the bedroom, the only one of the three which was really used. It was very comfortably furnished in mahogany. The bed, bulky and drowsy of aspect in the depths of the damp alcove, was really wonderful, with its four mattresses, its four pillows, its layers of blankets, and its corpulent _édredon_. It was evidently a bed intended for slumber. A mirrored wardrobe, a washstand with drawers, a small central table with a worked cover, and several chairs whose seats were protected by squares of lace, gave the room an aspect of plain but substantial middle-class luxury. On the left-hand wall, on either side of the mantelpiece, which was ornamented with some landscape-painted vases mounted on bronze stands, and a gilt timepiece on which a figure of Gutenberg, also gilt, stood in an attitude of deep thought, hung portraits in oils of Quenu and Lisa, in ornate oval frames. Quenu had a smiling face, while Lisa wore an air of grave propriety; and both were dressed in black and depicted in flattering fashion, their features idealised, their skins wondrously smooth, their complexions soft and pinky. A carpet, in the Wilton style, with a complicated pattern of roses mingling with stars, concealed the flooring; while in front of the bed was a fluffy mat, made out of long