The Fiction Factory: Being the experience of a writer who, for twenty-two years, has kept a story-mill grinding successfullyCook, William Wallace
Philosophy
The Fiction Factory: Being the experience of a writer who, for twenty-two years, has kept a story-mill grinding successfully
Cook, William Wallace
Authorship; Fiction
As with the Golden Star Library, misfortune finally overtook the Circus
Series. A telegram was received telling Edwards to hold No. 47 of the
Circus Series pending instructions by letter. The letter instructed
him to close up finally the adventures of the hero and his friends and
bring their various activities to an appropriate end. The series was
continued, for a while longer, with a brand-new hero in each story; but
Edwards was requested to write but three of the stories in the new form.
The year, which opened auspiciously and proved a banner year
financially, closed with a discontinuance of all orders from
Harte & Perkins. Re-prints were being used in the old Five-Cent
Library--stories that had been issued years before and could now be
republished for another generation of boy readers. Under date of Dec.
1, 1911, Mr. Perkins wrote:
"I know of nothing, just at present, which you can do for us, but
should anything develop I shall be very glad to inform you."
This left Edwards with a sketch a month for the trade paper, for which
he was paid $10 each. That "misfortunes never come singly" is an
old saying, and one which Edwards has found particularly true in the
writing profession. A letter of Dec. 27, informed him:
"We have decided to dispense with the sketches in our trade paper for
the present, at least; therefore the February sketch we have in hand
will be the last we will want unless we give you further notice."
In a good many cases the tendency of a writer, when fate deals hardly
with him in the matter of a demand for his work, is to take his rebuffs
too seriously. Often he will lock up his Factory, leaving a placard on
the door: "Closed. Proprietor gone to Halifax. Nothing in the fiction
game anyhow."
Edwards used to feel in this way. As he grew older he learned to take
his disappointments with more or less equanimity, and to keep the
Factory running. He thought, now, of Mr. White and _The Argosy_. Here
was a good time to prepare an _Argosy_ serial. He wrote it, sent it,
and on Feb. 15, 1901, received this terse letter:
"My dear Mr. Edwards:
We can use your story, 'The Tangle in Butte,' in _The Argosy_ at
$200. Very truly yours,
Matthew White, Jr."
This was less than the price paid for "He Was A Stranger," but the
story ran only 60,000 words, while the other serial had gone to
100,000. The acceptance went to Mr. White by return mail.
On the day following there came a letter from Harte & Perkins ordering
work in the old Five-Cent Library--work that would keep Edwards busy
for the rest of the year. Ten of the old stories which Edwards had
written were to be revised and lengthened by 10,000 words. For this
work he was to be paid $30 for each story. When the ten numbers had
been revised and lengthened, he was to go on with the stories, writing
a new one each week. Fifty dollars apiece was to be paid for the new
stories.
Public-domain text, read in full here on John Shaqi.
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