The Fiction Factory: Being the experience of a writer who, for twenty-two years, has kept a story-mill grinding successfullyCook, William Wallace
Philosophy
The Fiction Factory: Being the experience of a writer who, for twenty-two years, has kept a story-mill grinding successfully
Cook, William Wallace
Authorship; Fiction
In September, 1902, Edwards made one of his customary "prospecting"
trips to New York. If there was anything in omens his stay in the city
promised dire things. On the second day after his arrival he went to
Coney Island with a friend. Together they called on the seventh son
of a seventh son and had their palms read. The dispenser of occult
knowledge assured Edwards that the future was _very_ bright, that
Tuesday was his lucky day and that Spring was the best time for him to
consummate his business undertakings. That day, as it happened, was
Tuesday. In the teeth of this promising augury, and within ten minutes
after leaving the palmist's booth, some Coney Island "dip" shattered
Edwards' confidence in Tuesday by annexing his wallet. The wallet, as
it happened, contained all the money Edwards had brought from home,
with the exception of a little loose change.
This was the second time Edwards had been all but stranded in the
Metropolis, and this time the stranding was more complete. When he cast
up accounts that evening he found himself with a cash balance of $1.63.
Fortunately Mrs. Edwards was not along. He had left her at home with
the understanding that she was to come on later. When a writer has come
within hailing distance of the bread line there remains but one thing
to do, and that is to start the Factory going with day and night shifts.
Edwards called on Mr. White, of _The Argosy_, and outlined a serial
story. He was told to go ahead with it. For five days Edwards hardly
stirred from his room. At the end of that time he had completed "The
Desperado's Understudy," and had sold it to Mr. White for $250, spot
cash.
After completing this serial, Edwards outlined to Mr. White a
novelette which would furnish _The Argosy_ with something new in the
fiction line. The plot was based on a musical extravaganza which he
had written, several years before, in collaboration with Mr. Eugene
Kaeuffer, at one time connected with _The Bostonians_. Nothing had ever
come of this ambitious effort, although book and musical score were
completed and offered to Mr. McDonald of _The Bostonians_ and to Mr.
Thomas Q. Seabrooke. Mr. White liked the idea of the story immensely
and gave Edwards _carte blanche_ to go ahead with it.
This story, "Ninety, North," paved the way for other fantastic yarns
which made a decided hit in _The Argosy_ and so pointed Edwards along a
fresh line of endeavor which proved as congenial as it was profitable.
Public-domain text, read in full here on John Shaqi.
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