“Me?” Caleb exclaimed, in genuine astonishment, “No, indeed, ma’am. I
leave dope of all sorts alone.”
There was a laugh. Caleb did not quite see the point, but felt dimly
that he had scored a hit. Caine came to his rescue.
“What a pity the bird couldn’t have been pressed into service for the
musicale,” he observed. “It would be a real comfort to hear the ‘Death
of Ase’ in new form.”
“Oh, he don’t sing all of it,” amended Caleb. “He just sings the
first part. I forget quite how it goes. But he does it fine. Only,
to my mind,” with an air of profound criticism, “he sings it kind of
sprightly for such a sad piece. Still, I s’pose that’s a matter of
taste.”
Conover felt he was getting on finely. A most flattering attention--far
different from the slight aloofness of the evening’s earlier
moments--greeted his every word. Caine, however, seemed actually
jealous of his friend’s popularity; for he cut in now with a complete
change of subject.
“I wonder,” he conjectured, addressing no one in particular, “why
tenors invariably are born without intelligence. When Providence gives
a man a great tenor voice, He gives him nothing else. Perhaps, though,
he needs nothing else.”
But an avalanche of trite sayings could not have halted Caleb. He
listened with ponderous deference to Caine; then glanced about the
table and cleared his voice.
“Speaking of ‘needin’ nothin’ else,’” said he, “reminds me of Old Man
Wetherwolks who used to live at Pompton when I was a kid. He used to
get jagged as reg’lar as pay-day came ’round. Had a battin’ av’rage
of seven nights a week. Then when he’d blowed his last nickel he’d
make us boys pilot him home. It wasn’t any cinch, either. For his
wife was always waitin’ at the door. An’ the chunks of language she’d
hand out to us would a’ fried an iceberg. One night, I remember, we
brought the ol’ sot home worse’n usual. She was right there with the
tongue-lashin’. She told him what a swine he was to spend all his
fam’ly’s cash on booze and how he was a disgrace to his town, an’ other
nice comfortin’ things like that. She wound up by screechin’: ‘An’ you
haven’t a single redeemin’ trait, you worthless drunkard!’ That was
too much for Wetherwolks. He c’lapsed on the bottom step and began to
cry. ‘You’re right, m’dear,’ he whines. ‘Ev’ry word you say is true. I
_haven’t_ a single redeemin’ trait. But,’ an’ here he throws his chest
out an’ looks stern an’ noble, ‘But in ev’ry _other_ respec’ I’m a dam’
fine man!’”
The anecdote somehow did not “go” as well as when Conover had told it
in the back room of Kerrigan’s saloon. But if there was constraint in
its reception, he did not observe it. Letty, dropping her voice, to
shut him out of the general talk, inquired:
“Where is Pompton? I don’t think I ever heard of it. Did I? Are our
Pompton Avenue and the Pompton Club named for it?”
Public-domain text, read in full here on John Shaqi.
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