The First of the English: A NovelGunter, Archibald Clavering
History
The First of the English: A Novel
Gunter, Archibald Clavering
Historical fiction; Netherlands -- History -- Eighty Years' War, 1568-1648 -- Fiction
“Yes, but that is only postponing my destruction. Vasco’s suspicions
are aroused—the torture chamber gapes for me. I shall have to fly. I
can no longer do the work I had laid out for myself.” This is sighed
from white lips.
But another shout goes up from the surrounding crowd; at the fourteenth
round two of the remaining Drunkards of Brussels have gone down. Two
more are left for the painter to vanquish, but these are very tough
ones. De Vriendt smiles in triumph; his Flemish face, though red and
flushed, appears mocking now; but his legs are a little shaky.
Thus four more rounds pass; another of the Drunkards of Brussels joins
the company of those beneath the table. Now only one, little Tomasito,
is standing up for the ducats his friends have wagered upon him, and
the honor of the capital; when suddenly (for Guy has turned away his
head, only awaiting his opportunity at the finish of the bout to rob De
Guerra of the papers, and cares but little who wins the contest) the
Englishman feels his sleeve plucked, and looking up, sees Antony’s eyes
blazing.
“He’s recovering!” whispers Oliver.
“Who?”
“Vasco! See him! He is staggering up to his feet again. He will win the
bout. It’s a trick—a trick to gain the advantage of so many flagons
over De Vriendt.”
This is the feeling of Floris’s friends; and when De Guerra, staggering
up, shouts: “Another stoup of Rhine wine for the Drunkards of
Brussels,” they interpose and engage in angry altercation.
But De Vriendt says: “I give him the advantage of five flagons, I will
finish him up also.”
Another round is quaffed. Before it little Tomasito goes down as if
struck by a cannon ball, leaving only De Guerra and Floris standing
fronting each other, looking in each other’s faces, one with the smile
of the Fleming, the other filled with that curious rage peculiar to the
Spaniard, who, when excited, becomes savage in everything—savage in
war, savage in play, savage in love.
Each pours down another beaker, and Floris is reeling.
“Now’s your last chance,” whispers Guy.
Calling a waiter Antony says: “A flagon of your strongest Rhine wine at
once.”
While De Vriendt and the Spaniard are appetizing themselves for another
bout, one eating caviare savagely and the other lovingly dallying with
some pickled cod’s livers, to give him greater thirst, is the
opportunity of Oliver.
The waiter, pouring the wine from the flask into the flagon, goes his
way, and a moment after, with a hand that has become deft by using the
delicate brushes of his art, the hunted artist skillfully unseals the
little vial and drops unnoticed a portion of its subtle poison into the
beaker.
“Be sure you give him enough,” whispers Guy, who has been standing in
front of his friend to screen him, though the crowd is so great and the
excitement so intense, bets being offered two to one on the Spaniard,
it would have been unnoticed had no precaution been taken.
Public-domain text, read in full here on John Shaqi.
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