The Flaming Sword in Serbia and ElsewhereStobart, M. A. (Mabel Annie)
History
The Flaming Sword in Serbia and Elsewhere
Stobart, M. A. (Mabel Annie)
World War, 1914-1918 -- Hospitals; World War, 1914-1918 -- Personal narratives
In the early morning, as a gust of wind swept through the tent--her
tent--the life-force passed; in our stupid, misleading, blundering
language, Mrs. Dearmer--mother, wife, poet, artist, dramatist, and
last, but not least, camp orderly--was dead. But I knew that the
life-force had carried with it all that was real; it had taken to the
Beyond Land the idea, the logos, the norm, the soul, of which the body
that was left, was only a graven image.
Again a public funeral, but this time--a graceful compliment by Dr.
Dearmer--the service was to be conducted by the priests of the Greek
Church, officiating in their own cathedral. A chapel in which to lay
her, with altar, was improvised in the doctors' reading tent, and was
filled with wreaths and crosses of beautiful flowers, sent by friends
and sympathisers.
The military attachés, medical and military officials, public
representatives, members of other units, and general sympathisers,
assembled at the chapel tent at 5 p.m. Four priests, with long hair
and gorgeously embroidered robes, three of blue and one of red, said
preliminary prayers round the altar. Strange that when men symbolise
religion they adopt the garb of women?
The Crown Prince's band played whilst the coffin was lifted to a
hearse-carriage--generally reserved for dead officers--and the
procession, in the same order as before, moved slowly across the
racecourse to the road, and on to the cathedral. Alternately with the
music of the band, a choir of men and women from Kragujevatz, sang
beautiful funeral anthems. We had persuaded Dr. Dearmer to evade the
procession and the cathedral service, and, with Dr. Marsden, to join us
at the grave-side.
Again the same frenzied clanging of discordant bells greeted our
arrival at the cathedral; but inside God's house, harmony and reverence
reigned.
The coffin was placed on trestles in the centre of the nave; the
mourners, as before, standing at a little distance all around. In Greek
churches it is the custom always to stand, at all services; there are
no chairs, no kneeling cushions, no compromises with comfort.
The service lasted an hour; the heat was terrific, and I was thankful
we were not mid-Victorian women, or we should have had sensational
fainting scenes. These would have spoilt the service, which was
extremely beautiful; more sympathetic and compassionate than the cold,
callous, burial prayers of our English ritual, with its theories of
dust and ashes.
The priests stood in line behind the coffin, facing the altar,
and chanted their prayers in the old Slavonic language, common to
Serbia, Bulgaria and Russia, and the trained choir of men and women
in the gallery behind, sang exquisite responses. The music--a great
surprise--was enchanting; it produced that atmosphere of faith and
divine love, of which the best music is a revelation, and bad music the
negation. Better no music than bad music in churches.
Public-domain text, read in full here on John Shaqi.
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