The flower beneath the foot : $b being a record of the early life of St. Laura de Nazianzi and the times in which she livedFirbank, Ronald
General
The flower beneath the foot : $b being a record of the early life of St. Laura de Nazianzi and the times in which she lived
Firbank, Ronald
Courts and courtiers -- Fiction; Nuns -- Fiction
Touched, and reassured at the ex-maid’s appearance, the Queen judged,
at last, it was safe to unbend. Already very remote and unworldly in
her novice’s dress, she had ceased, indeed, to be a being there was
need any more to either circumvent, humour, or suppress; and now that
the threatened danger was gone, her Majesty glanced, half-lachrymosely,
about among her personal belongings for some slight token of “esteem”
or _souvenir_. Skimming from cabinet to cabinet, in a sort of hectic
dance, she began to fear, as she passed her bibelots in review, that
beyond a Chinese Buddha that she believed to be ill-omened, and which
for a nun seemed hardly suitable, she could spare nothing about her
after all, and in some dilemma, she raised her eyes, as though for
a crucifix, towards the wall. Above the long-chair a sombre study
of a strangled negress in a ditch by Gauguin conjured up to-day with
poignant force a vivid vision of the Tropics.
“The poor Duchess!” she involuntarily sighed, going off into a train of
speculation of her own.
Too tongue-tied, or, perhaps, too discreet, to inform the Queen that
anything she might select would immediately be confiscated by the
Abbess, Sister Irene, while professing her rosary, appraised her
surroundings with furtive eyes, crossing herself frequently with a
speed, and facility due to practice whenever her glance chanced to
alight on some nude shape in stone. Keen, meagre, and perhaps slightly
malicious, hers was a curiously pinched face--like a cold violet.
“The Abbess is still in retreat; but sends her duty,” she ventured as
the Queen approached a gueridon near which she was standing.
“Indeed? How I envy her,” the Queen wistfully said, selecting, as
suited to the requirements of the occasion, a little volume of a mystic
trend, the _Cries of Love_ of Father Surin,[12] bound in grey velvet,
which she pressed upon the reluctant novice, with a brief, but cordial,
kiss of farewell.
“She looked quite pretty!” she exclaimed, sinking to the long-chair as
soon as the nuns had gone.
“So like the Cimabue in the long corridor ...” the Countess of Tolga
murmured chillily; It was her present policy that her adored ally, Olga
Blumenghast, should benefit by Mademoiselle de Nazianzi’s retirement
from Court, by becoming nearer to the Queen, when they would work all
the wires between them.
“I’d have willingly followed her,” the Queen weariedly declared, “at
any rate, until after the wedding.”
“It seems that I and Lord Derbyfield are to share the same closed
carriage in the wake of the bridal coach,” the Countess of Tolga said,
considering with a supercilious air her rose _suède_ slipper on the
dark carpet.
“He’s like some great Bull. What do you suppose he talks about?”
The Countess d’Omptyda repressed a giggle.
“They tell me Don Juan was nothing _nothing_ to him.... He cannot see,
he cannot be, oh every hour. It seems he can’t help it, and that he
simply _has_ to!”
Public-domain text, read in full here on John Shaqi.
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