The Flower Girl of The Château d'Eau, v.1 (Novels of Paul de Kock Volume XV)Kock, Paul de
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The Flower Girl of The Château d'Eau, v.1 (Novels of Paul de Kock Volume XV)
Kock, Paul de
French fiction -- Translations into English
Glumeau shot through his guests like an arrow and offered his arm to the
baroness, who accepted it. They adjourned to the dining-room and took
their seats at the table in the order established by the cards. Madame
de Grangeville naturally was seated beside the host, and Monsieur
Camuzard was on her other side. Madame Glumeau had seated Monsieur de
Merval beside herself, so that that gentleman was at some distance from
the baroness; not so far, however, that his eyes did not meet hers from
time to time; and, strange to say, at such times Monsieur de Merval
always lowered his first.
When their appetites were appeased sufficiently to permit the guests to
be agreeable, or at least to try to appear so, the conversation became
animated, and they turned at last to the subject which had led to that
festivity--the performance to be given on Monsieur Glumeau’s little
stage in the country, and the distribution of parts.
“Unless something better is suggested, we propose to give _La Forêt
Périlleuse_,” said Madame Glumeau.
“Very good,” said Chambourdin; “but in addition to the speaking parts,
we must have robbers, a band of robbers.”
“We will find some,” said Glumeau; “robbers are not what we lack.”
“The deuce! are they abundant in the neighborhood of your country
house?”
“Don’t joke, Chambourdin; if you do, nothing will ever be decided, and
we must arrange everything to-day; we go into the country next week,
and we must give the play at the end of June, no later.”
“Of course, with a theatre in the woods, we mustn’t wait until the bad
weather begins.”
“Well then, we will say _La Forêt Périlleuse_; my servants and my
gardener will be the robbers.”
“Oh! very good! excellent!”
“I will p--p--play the fair Ca--Ca--the fair Ca--Ca--Camille.”
“You are entitled to.”
“And my b--b--brother the robber chief.”
“Better and better--just as it used to be at Nicolet’s!”
“I say, I really believe Chambourdin is laughing at us! What do the
company think?”
“No indeed! but it’s lawful to laugh, isn’t it?” said Chambourdin; “I
don’t imagine that you are going to act with sober faces all the time.
Besides, am I not one of your troupe? I will take whatever part you
wish--a robber, a tyrant, a victim. But allow me to make one suggestion;
instead of your _Forêt Périlleuse_, which is not wonderfully clever, and
in which there is only one female part--and that one doesn’t come on in
the first act--why don’t you give _Roderic et Cunégonde_? That’s a
splendid parody on the fashionable melodrama, and full of wit from end
to end; indeed, it’s by the late Martainville, who had wit to sell, so I
have been told; for I never knew him.”
Chambourdin’s suggestion was generally approved, except by Mademoiselle
Eolinde, who regretted the fair Camille; but they gave her the part of
Cunégonde, which was more in her line, because there are no long
speeches in it.
“But there’s a child in _Roderic et Cunégonde_,” said Monsieur Mangeot.
“That’s all right! we’ll make one.”
Public-domain text, read in full here on John Shaqi.
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