Gelmetti slackens the motor, the mechanics remove the wedges from under the wheels and the plane is free and ready for the flight. We rise to our feet to give a final salute, and an indescribable emotion comes into the faces of all. The plane begins to move and our cry of “Viva L’Italia,” is drowned by the roar of the motor whose pulsations grow ever quicker and faster. The grass flits rapidly under the wheels. A slight jerk, a slight start, and we are in the air. What were living persons near us, what were houses, have become specks, have become infinitesimal statuettes against the dark background of the earth. I see certain small red lamps on the tops of trees, I see the red lamp which marks the chimney of the furnace near the field. The great scaffolding from which the searchlights usually hurl upward the streams of their light, is lost in the night’s darkness. The little canal which passes near the hangars glitters distinctly and along the plain traversed by roads and streams of water, many tranquil lamps are glowing. Along the road which leads from the field to the highway of Mogliano the searchlights of the automobiles leaving the field follow us. We turn slowly, and—as is always the case when in a plane—we feel as if we were still. We are now traveling towards Mestre and beyond we see the mirror of the glittering lagoon which the moon silvers with a thousand tiny flames, and in the background where sky and sea mingle in a dark gray mist, we can imagine Venice arising from the water.