A glacial silence follows. The Frau Major makes a bolt for it, to escape
hearing the sequel. On the pretext that she has got to get back into the
town, and that the last tram is just leaving, she takes with her the
unhappy little wife, to whom the husband's words have come as a veiled
reproach. The officers are left alone, and one of them, hoping to change
the current of thought in the sick man's mind, passes a friendly
compliment upon the wife's appearance. The other springs to his feet and
says in a fury: "Chic wife? Oh, yes. Very dashing!... She didn't shed a
tear when I left on the train. Oh, they were all very dashing when we
went off. Poor Dill's wife was, too. Very plucky. She threw roses at him
in the train, and she'd been his wife for only two months.... Roses! He,
he! 'See you soon again!' They were all so patriotic!..."
He goes on to recount what happened to Dill. Poor Dill was showing to
his comrades the new photograph his wife had sent him, when an exploding
shell sent a boot flying against his head. In the boot was the leg of a
cavalryman who had been blown to pieces many yards away. On the boot was
a great spur which stuck into Dill's brain. It took four of them to
pull the boot out, and a piece of brain came away with the spur, looking
"just like a grey jellyfish." One of the officers, horrified by the
tale, rushed away for the doctor. The latter, on arrival, tried to coax
the sick man to go in:
"You must go to bed now, Lieutenant...."
"Must go, of course," repeated the lieutenant emphatically, heaving a
profound sigh. "We must all go. The man who doesn't go is a coward, and
they have no use for a coward. That's how it is. Don't you understand?
Heroes are in fashion now. The chic Madame Dill wanted a hero to match
her new hat. Ha, ha! That's why poor Dill had to have his brains
spilled. I must go; you must go; we must all go to die.... The women
look on, plucky, because that's the fashion now...."
He gazed round questioningly.
"Isn't it sad?" he asked softly. Then, in a fury once more, he cried:
"Weren't they humbugging us?... Was I an assassin? Was I a swashbuckler?
Didn't I suit her when I sat at the piano playing? We were expected to
be gentle and considerate! Considerate! And all at once, because the
fashion changed, they wanted us to be murderers. Do you understand?
Murderers!"
Speaking now in a lower tone, he went on plaintively:
"My wife was in the fashion too, of course. Not a tear! I kept waiting,
waiting for her to begin to weep, to beg me to get out of the train, not
to go with the others--beg me to be a coward for her sake. But none of
them had the pluck to do that. They all wanted to be in the fashion.
Mine too! Mine too! She waved her handkerchief, just like the others."
His twitching arms writhed upwards, as though he were calling the
heavens to witness.
Public-domain text, read in full here on John Shaqi.
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