"A Hero's Death" (Heldentod) describes the death in hospital of First Lieutenant Otto Kadar. He has a fractured skull. While the regimental officers were listening to a gramophone playing the Rakoczy march, a bomb exploded among them. The dying man never stops talking of the Rakoczy march. He imagines that he is looking at the corpse of a young officer whose head has been carried away, and in place of the head, screwed into the neck, is the gramophone disc. In his growing delirium, he fancies that the same thing has happened to all the common soldiers, to all the officers, to himself; that in each one the head has been replaced by a gramophone disc. That is why it is so easy to lead them to the slaughter. The dying man makes a frantic effort to tear away the disc from his own neck, and as he does so all is over. The old major looking on says in a voice vibrating with respect: "He died like a true Hungarian--singing the Rakoczy march." "Home Again" (Heimkehr) tells of the homecoming of Johann Bogdan, who had been the handsomest man in his native village. He returns from the war hopelessly disfigured. In hospital his face has been remade for him by means of a number of plastic operations. But when he looks at himself in the glass he is horror-stricken. No one in the village recognises him. The only exception is a hunchback whom he had looked on with contempt, and who now greets him familiarly. The countryside has been transformed by the building of a munition factory. Marcsa, Bogdan's betrothed, works there, and has become the factory owner's mistress. Bogdan sees red, and stabs the man, to be struck down dead himself a moment later.--In this story the growth of the revolutionary spirit is manifest. Bogdan, a dull conservative by nature, is inspired with it against his will. We have a threatening vision of the return of the soldiers from all the armies, and of how they will take vengeance upon those who sent others to death while remaining at home to enjoy life and to grow rich by speculation. I have kept the third story to the last, for it contrasts with the others by the sobriety of its emotion. It is entitled "The Victor" (Der Sieger). In the other episodes, the tragic element is nude and bleeding. Here tragedy is veiled with irony, and is all the more formidable. Revolt simmers beneath the calm words; the butchers are pilloried by the bitter satire.