And then the spectacle changed, the black street mantles appeared,
yashmaks and tcharchafs, for now the doors were opened to all the
feminine world, and there came strange, unknown women, slipping out
from their grills for this pleasuring in a palace, old-timers often,
draped and turbaned in the fashion of some far province of their
youth; women, incredibly fat, in rich stuffs of Asia, their bright,
deep-sunken eyes spying delightedly upon the scene, or furtive, poor
women, keeping courage in twos and threes.
Now, too, at four, came the women from the Embassies, a Russian girl
with whom Aimée had played tennis in ages past, rosy now with
yesterday's sun and sleepy with last night's dance, who touched the
bride's hand as if it were the hand of one half-dead, already
consigned to the tomb; other girls she did not know, who stared at
her with the avid eyes of their young curiosities; older women,
experienced, unstirred, drinking their tea and smoking cigarettes
and gossiping of their own affairs, and occasionally among them a
tourist agog with wonder and exultation, storing away details for a
lifetime of talk, asking amiably the most incredible questions....
"And is it true you have never met your husband? Listen, Jane--she
says she has never met him--"
A girl in a creamy white silk came forward a little uncertainly. She
was a pretty girl, with a curve of ruddy hair visible under her
smart straw, and very bright eyes, where shyness was at variance
with a friendly smile.
Indeed Jinny Jeffries was extraordinarily intimidated by the
occasion. She had a distinct sense of intrusion mingling with her
delight at having intruded, and she murmured her good wishes in an
almost inaudible tone.
"It is very good of you to let us come ... I wish you every
happiness," she said.
Beside her a tall slender figure, in black tcharchaf and yashmak,
made its appearance.
Aimée's eyes slipped past the pretty American; the mechanical smile
was frozen on her lips. Over the black veil she saw the hazel eyes,
bright with excitement, vivid as speech; the eyes of the masquerader
in the Scotch costume, the eyes of the man at the garden gate--Jack
Ryder's eyes ... the eyes of her dreams.
CHAPTER XI
THE FORTY DOORS
When Ryder had despatched from the jeweler's who had polished the
locket for him, that package with its secret note, and its warning
plaid, he had no real assurance that the message would fall into
Aimée's hands. But he could think of nothing better, and he argued
very favorably for his stratagem.
That miniature should have some effect, and given the miniature, and
the bit of plaid cloth, Aimée's quick wit ought to divine a message.
She had always the key, he remembered, and the power of egress from
her prison. And surely it ought not to be difficult for her to
devise some way of getting a letter into the post.
Public-domain text, read in full here on John Shaqi.
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