France -- History -- Capetians, 987-1328 -- Fiction; Knights and knighthood -- Fiction
The age greatly lauded virginity in the abstract. But—saving the
saints in heaven and abbesses on earth—precedence in fact was given by
the world of chivalry to the married woman. Public opinion required of
wedded great dames—perhaps in most cases received—essential regard
for their lords’ honour. This granted, for love they were let turn
elsewhere. Theirs chiefly, though not solely, were the knights, the
troubadours, the incense, the poesy. Marriage came so early, marriage
was so plainly the rule, that the unwed in evidence—the throngs of
nuns making another story—were almost always young girls indeed, buds
of flowers, somewhat ill at ease with the opened roses. But largely
they were of the rose kind, and, in the bloomy ring of wedded dames,
sighed to in _canzons_, “fair friends” of knight and poet, but saw
themselves a little further on. Those in the garden were not of the
very youngest, and they were used to courts and not ill at ease. They
were rosebuds very sweet, and they took their share of lauds. From them
all the ugly princess differed subtly.
It was not merely that she differed when faces were compared. What
others might think could not of course appear, but the duke, who had
considered an alliance with Roche-de-Frêne, thought her deficient in
every power to please. It was right enough that, in the presence of her
father and step-dame, before the perhaps oppressive loom of her own
possible good fortune, she should keep silence. But she should look
fair and complying, not be such an one that the world might say, “Our
Duke chose a poor little land, under a gloomy sky!” And when she did
speak she should speak with sense and _à propos_. As it was, she spoke
folly.
For instance. There had been introduced a jongleur, a
Babylonish-looking fellow, who had narrated at length and with
action the history of Dido. He had ended amid acclaim and had been
given largesse. Following the lesser art and performer had come the
major—burst into song the troubadours. They parted between them the
passion of the Carthaginian Queen. One took the May of it, one the
July, one the Winter. They soared to Olympus and pleaded it before
the Court of Love; they came down to Europe and placed it in the eye
of brave knights and sweet ladies. The duke was moved. He began to
lean toward Alazais; then, policy and the beauty of a virtuous action
prevailing, he bent instead toward the only one there who could link
together his dukedom and Roche-de-Frêne. “Fair, sweet princess, what
think you of this great lover, Queen Dido?”
Then had the changeling shown oddness and folly. She lifted eyes that
were _vair_ or changeable, and neither shy nor warm, and spoke in a
voice as dry as a Candlemas reed. “I hold,” she said, “that in that
matter of the bull’s hide, she was wise.”
Public-domain text, read in full here on John Shaqi.
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