The Fortunes of Hector O'Halloran, and His Man, Mark Antony O'TooleMaxwell, W. H. (William Hamilton)
General
The Fortunes of Hector O'Halloran, and His Man, Mark Antony O'Toole
Maxwell, W. H. (William Hamilton)
Ireland -- Social life and customs -- 19th century -- Fiction
As I pondered on the singular resemblance between the figures in the
painting and those of Isidora and “mine host,” my eyes involuntarily
rested on the arms which hung above the mantel-pieee. The sabre and
pistols rivetted my attention. They were the very identical weapons with
which the corsair in the picture was accoutred! Hartley’s eulogy upon
the sword, and the boast of his former prowess, confirmed the belief,
that though a “worthy Thane” at present, there was a period when his
calling was but indifferent, and himself, “if a man should speak truly,
little better than one of the wicked.” Just then I heard a gentle tap,
and Dominique made his appearance to ascertain how far I had benefited
by his leech-craft, and if necessary, to assist me at my toilet.
“Your master, Dominique, went early abroad to-day.”
“Yes, sir. He had business at some short distance from the house, but
he will not delay long. How much better your wounds look than could
have been expected from their appearance last night!” and the negro
embrocated my bruises again. “Pray, do you know, sir, any of the persons
who assailed you on the road?”
“Not I, in faith. From what I can collect, I was mistaken for another.”
“It was a bad blunder for you; but, all considered, you have escaped
wonderfully. It was very doubtful whether you could have left your
room this morning; and Miss Isidora begs to know whether you will have
breakfast in your chamber, or venture to the parlour.”
“To the parlour, certainly.” Up I sprang, dressed rapidly, and following
the sable functionary to the end of the corridor; he pointed to the
drawing-room door, bowed, left me, and I entered.
The room was still untenanted, and, to all appearance, precisely as
I had left it the preceding night. Reckless of the confusion it had
already caused, I determined to satisfy my curiosity again, and take
a second peep at the mysterious picture. From the doorway the massive
frame was visible, for my eyes had turned involuntarily to the place
where my thoughts had already wandered. I walked on and stood before the
painting.’Twas passing strange; there was the frame, but both lady and
corsair had vanished; and the parting scene of love had changed to one
of vengeance. How opposite the subject, too--Blue Beard about to shorten
Fatima by the head, for being over curious, like myself, in a strange
house and on a first visit. Was this pointed as a hint to me? I’faith,
it looked very like it, but, before I could determine whether the
painting was designed to convey this silent lesson, a light step behind
announced the presence of Isidora. She had entered from the adjoining
room unperceived, and came to tell me that breakfast waited.
Public-domain text, read in full here on John Shaqi.
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