The Fortunes of Oliver HornSmith, Francis Hopkinson
General
The Fortunes of Oliver Horn
Smith, Francis Hopkinson
Baltimore (Md.) -- Fiction; Bildungsromans; New York (N.Y.) -- Fiction; Painters -- Fiction; Young men -- Fiction
By the time, however, that Oliver had reached the bank the Colonel had
left for the club, where he would have been too happy, no doubt--being
the most courteous of colonels, etc., etc.--"if his dear young friend
had only sent him word," etc.
All this our breathless young Mercury--Oliver never walked when he
could run--learned some hours later from old Mr. Stiger, the cashier,
who punched him in the ribs at the end of every sentence in which he
conveyed the disappointing information, calling him "Creeps," at short
intervals, and roaring with laughter at the boy's account of the causes
leading up to his missing the Colonel.
"Gone to the club, Creeps, don't I tell you (--punch in the ribs--);
gone to get a little sip of Madeira and a little bit of woodcock
(--punch over the heart--), and a little--oh, I tell you, you young
dog--" (this punch straight on the breast-bone)--"you ought to be a
bank director--you hear!--a big fat bank director, and own a big house
up in the Square, if you want to enjoy yourself--and have a pretty
daughter--Oh, you young rascal!" This last punch bent Oliver double,
and was followed by an outburst of uncontrollable laughter from Stiger.
These same punchings and outbursts had gone on since the days that
Oliver was in short trousers and Stiger was superintendent of the
Sunday-school which the boy had attended in his early years--Stiger was
still superintendent and of the same school: cashiers had to have
certificates of character in those days. A smooth-shaven, round-headed
old fellow was Stiger, with two little dabs of side-whiskers, a pair of
eyes that twinkled behind a pair of gold spectacles, and a bald head
kept polished by the constant mopping of a red silk handkerchief. His
costume in the bank was a black alpaca coat and high black satin stock,
which grabbed him tight around the neck, and held in place the two
points of his white collar struggling to be free. Across his waist-line
was a square of cloth. This, in summer, replaced his waistcoat, and, in
winter, protected it from being rubbed into holes by constant contact
with the edge of the counter.
His intimacy with Oliver dated from one hot Sunday morning years
before, when Oliver had broken in upon the old gentleman's long prayers
by sundry scrapings of his finger-nails down the whitewashed wall of
the school-room, producing a blood-cooling and most irreverent sound,
much to the discomfort of the worshippers.
"Who made that noise?" asked Mr. Stiger, when the amen was reached.
"Me, sir."
"What for?"
"To get cool. It makes creeps go down my back." From that day the old
cashier had never called Oliver anything but "Creeps."
Public-domain text, read in full here on John Shaqi.
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