The Fourteenth of July, and Danton: Two Plays of the French RevolutionRolland, Romain
History
The Fourteenth of July, and Danton: Two Plays of the French Revolution
Rolland, Romain
France -- History -- Revolution, 1789-1799 -- Drama
VINTIMILLE [_bowing_]. Why, it's you, Contat? You come to the
rendezvous, I see! A silver helmet over your blonde hair, musket
in hand; why, you look like the goddess of Liberty herself. So
you were curious to come and see for yourself? You will be safe
here, and may look around without danger. [_He extends his hand
to her, but she hesitates to take it._] You won't shake hands?
We were good friends not very long ago. Are we not still? [_She
decides to shake hands._] Well, what's the matter? You look at
me with those great eyes of yours, and you don't say a word? Are
you afraid?
LA CONTAT. I--I beg your pardon. I hardly know where I am, and I
am not sure whether to consider you as a friend or an enemy.
VINTIMILLE. An enemy? But why? Really, were you fighting us?
LA CONTAT. You know, it's not in my character to be a spectator;
I must always play important parts. [_She shows her musket,
which a Pensioner takes from her at a sign from_ VINTIMILLE.]
VINTIMILLE. You were tired of playing comedy, and you decided
to turn to drama. But do you realize, my dear, that your little
escapade has put you in danger of spending a few months in
Fort-l'Evêque?
LA CONTAT. I risked far more than that.
VINTIMILLE. But you were not in earnest, Contat? You one of
these brawlers? [_He scrutinizes her from head to foot._] No
rouge, no beauty-spots. Your hands black--face streaming with
perspiration--your hair wet, sticking to your cheeks. You're
breathing hard. Muddy to the knees! Covered with filth and
powder! What's happened to you? Why, I know you well, and I am
sure you never liked that filthy rabble any more than I.
LA CONTAT. No, I didn't.
VINTIMILLE. A love-affair, then? Is he in that crowd?
LA CONTAT. I thought it was that at first. But there is
something else.
VINTIMILLE. What?
LA CONTAT. I do not know. I couldn't tell you exactly why I am
fighting: but I felt it not long ago, I was ready to cut your
throat.
VINTIMILLE [_laughing_]. You always liked to exaggerate.
LA CONTAT. I am not joking now.
VINTIMILLE. But, Contat, you are a woman of sense; you don't do
things without a reason?
LA CONTAT. I have a reason, but I can't explain it now. A few
moments ago it was so powerful, so clear to me. The feelings of
those people thrill me, like the roll of thunder. Now that I am
separated from them, I don't know, I don't know what--
VINTIMILLE. You were mad. Confess it.
LA CONTAT. No, no: I am sure they are right.
VINTIMILLE. Right to rebel against the King, kill people, and
die for a nothing?
LA CONTAT. They are not dying for nothing.
VINTIMILLE. No, of course not: for Monsieur d'Orléans' écus!
LA CONTAT. My dear, you're the same as ever: you always minimize
one's motives.
VINTIMILLE. Money is not a small motive to vagabonds who have
none. Can you give me a better motive?
LA CONTAT. Liberty.
VINTIMILLE. What is that?
Public-domain text, read in full here on John Shaqi.
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