Italy -- History -- 1815-1870 -- Fiction; Italy -- History -- Revolution of 1848 -- Fiction; Revolutionaries -- Fiction
With the crash that followed he came suddenly to his senses, standing
before the empty pedestal, the hammer still in his hand, and the
fragments of the broken image scattered on the floor about his feet.
He threw down the hammer. “So easy!” he said, and turned away. “And what
an idiot I am!”
He sat down by the table, panting heavily for breath, and rested his
forehead on both hands. Presently he rose, and, going to the wash-stand,
poured a jugful of cold water over his head and face. He came back quite
composed, and sat down to think.
And it was for such things as these--for these false and slavish people,
these dumb and soulless gods--that he had suffered all these tortures
of shame and passion and despair; had made a rope to hang himself,
forsooth, because one priest was a liar. As if they were not all liars!
Well, all that was done with; he was wiser now. He need only shake off
these vermin and begin life afresh.
There were plenty of goods vessels in the docks; it would be an easy
matter to stow himself away in one of them, and get across to Canada,
Australia, Cape Colony--anywhere. It was no matter for the country, if
only it was far enough; and, as for the life out there, he could see,
and if it did not suit him he could try some other place.
He took out his purse. Only thirty-three paoli; but his watch was a
good one. That would help him along a bit; and in any case it was of no
consequence--he should pull through somehow. But they would search
for him, all these people; they would be sure to make inquiries at the
docks. No; he must put them on a false scent--make them believe him
dead; then he should be quite free--quite free. He laughed softly to
himself at the thought of the Burtons searching for his corpse. What a
farce the whole thing was!
Taking a sheet of paper, he wrote the first words that occurred to him:
“I believed in you as I believed in God. God is a thing made of clay,
that I can smash with a hammer; and you have fooled me with a lie.”
He folded up the paper, directed it to Montanelli, and, taking another
sheet, wrote across it: “Look for my body in Darsena.” Then he put on
his hat and went out of the room. Passing his mother's portrait, he
looked up with a laugh and a shrug of his shoulders. She, too, had lied
to him.
He crept softly along the corridor, and, slipping back the door-bolts,
went out on to the great, dark, echoing marble staircase. It seemed to
yawn beneath him like a black pit as he descended.
He crossed the courtyard, treading cautiously for fear of waking Gian
Battista, who slept on the ground floor. In the wood-cellar at the back
was a little grated window, opening on the canal and not more than four
feet from the ground. He remembered that the rusty grating had broken
away on one side; by pushing a little he could make an aperture wide
enough to climb out by.
Public-domain text, read in full here on John Shaqi.
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