The Gallery of Portraits: with Memoirs. Volume 1 (of 7)Malkin, Arthur Thomas
History
The Gallery of Portraits: with Memoirs. Volume 1 (of 7)
Malkin, Arthur Thomas
Biography
In 1632, having taken the degree of M.A., Milton finally quitted the
University, leaving behind him a very brilliant reputation, and a
general good will in his own college. His father had now retired from
London, and lived upon his own estate at Horton, in Buckinghamshire. In
this rural solitude, Milton passed the next five years, resorting to
London only at rare intervals, for the purchase of books or music. His
time was chiefly occupied with the study of Greek and Roman, and, no
doubt, also of Italian literature. But that he was not negligent of
composition, and that he applied himself with great zeal to the culture
of his native literature, we have a splendid record in his ‘Comus,’
which, upon the strongest presumptions, is ascribed to this period of
his life. In the same neighbourhood, and within the same five years, it
is believed that he produced also the Arcades, and the Lycidas, together
with L’Allegro, and Il Penseroso.
In 1637 Milton’s mother died, and in the following year he commenced his
travels. The state of Europe confined his choice of ground to France and
Italy. The former excited in him but little interest. After a short stay
at Paris he pursued the direct route to Nice, where he embarked for
Genoa, and thence proceeded to Pisa, Florence, Rome, and Naples. He
originally meant to extend his tour to Sicily and Greece; but the news
of the first Scotch war, having now reached him, agitated his mind with
too much patriotic sympathy to allow of his embarking on a scheme of
such uncertain duration. Yet his homeward movements were not remarkable
for expedition. He had already spent two months in Florence, and as many
in Rome, yet he devoted the same space of time to each of them on his
return. From Florence he proceeded to Lucca, and thence, by Bologna and
Ferrara, to Venice; where he remained one month, and then pursued his
homeward route through Verona, Milan, and Geneva.
Sir Henry Wotton had recommended, as the rule of his conduct, a
celebrated Italian proverb, inculcating the policy of reserve and
dissimulation. From a practised diplomatist, this advice was
characteristic; but it did not suit the frankness of Milton’s manners,
nor the nobleness of his mind. He has himself stated to us his own rule
of conduct, which was to move no questions of controversy, yet not to
evade them when pressed upon him by others. Upon this principle he
acted, not without some offence to his associates, nor wholly without
danger to himself. But the offence, doubtless, was blended with respect;
the danger was passed; and he returned home with all his purposes
fulfilled. He had conversed with Galileo; he had seen whatever was most
interesting in the monuments of Roman grandeur, or the triumphs of
Italian art; and he could report with truth, that in spite of his
religion, every where undissembled, he had been honoured by the
attentions of the great, and by the compliments of the learned.
Public-domain text, read in full here on John Shaqi.
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