The Gallery of Portraits: with Memoirs. Volume 1 (of 7)Malkin, Arthur Thomas
History
The Gallery of Portraits: with Memoirs. Volume 1 (of 7)
Malkin, Arthur Thomas
Biography
His thoughts now settled upon the subject of education, which it must
not be forgotten that he connected systematically with domestic liberty.
In 1644 he published his essay on this great theme, in the form of a
letter to his friend Hartlib, himself a person of no slight
consideration. In the same year he wrote his ‘Areopagitica, a speech for
the liberty of unlicensed printing.’ This we are to consider in the
light of an oral pleading, or regular oration, for he tells us expressly
[Def. 2.] that he wrote it “ad justæ orationis modum.” It is the finest
specimen extant of generous scorn. And very remarkable it is, that
Milton, who broke the ground on this great theme, has exhausted the
arguments which bear upon it. He opened the subject: he closed it. And
were there no other monument of his patriotism and his genius, for this
alone he would deserve to be held in perpetual veneration. In the
following year, 1645, was published the first collection of his early
poems: with his sanction, undoubtedly, but probably not upon his
suggestion. The times were too full of anxiety to allow of much
encouragement to polite literature: at no period were there fewer
readers of poetry. And for himself in particular, with the exception of
a few sonnets, it is probable that he composed as little as others read,
for the next ten years: so great were his political exertions.
Early in 1649 the king was put to death. For a full view of the state of
parties which led to this memorable event, we must refer the reader to
the history of the times. That act was done by the Independent party, to
which Milton belonged, and was precipitated by the intrigues of the
Presbyterians, who were making common cause with the king, to ensure the
overthrow of the Independents. The lamentations and outcries of the
Presbyterians were long and loud. Under colour of a generous sympathy
with the unhappy prince, they mourned for their own political
extinction, and the triumph of their enemies. This Milton well knew, and
to expose the selfishness of their clamours, as well as to disarm their
appeals to the popular feeling, he now published his ‘Tenure of Kings
and Magistrates.’ In the first part of this, he addresses himself to the
general question of tyrannicide, justifying it, first, by arguments of
general reason, and secondly, by the authority of the reformers. But in
the latter part he argues the case personally, contending that the
Presbyterians at least were not entitled to condemn the king’s death,
who, in levying war, and doing battle against the king’s person, had
done so much that tended to no other result. “If then,” is his argument,
“in these proceedings against their king, they may not finish, by the
usual course of justice, what they have begun, they could not lawfully
begin at all.” The argument seems inconclusive, even as addressed _ad
hominem_: the struggle bore the character of a war between independent
parties, rather than a judicial inquiry, and in war the life of a
Public-domain text, read in full here on John Shaqi.
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